In the British Museum are several fine MSS. illustrative of this period
of French illumination, viz. Add. 18853, 18854, and 18855. These three
MSS. formed part of the purchase which included the Bedford Offices.
18853 is a Book of Offices executed apparently for Francis I. In some of
the borders is a large F with the _Cordelière_ of the third Order of St.
Francis and a rayed crown, and on folio 97 v. a large monogram
consisting of the letter F, with two crossed sceptres and palm branches,
surmounted by the crown-royal of France.
Nothing is known of the history of the MS. from 1547 to 1723, when it
was in possession of the Regent Philippe d'Orléans. Possibly it had
remained as an heirloom in the family. Philippe gave it to his natural
son the Abbé Rothelin, a great lover of rare books and a noted
collector, at whose death it was bought by Gaignat, another collector,
who sold it to the Duc de la Vallière, and so, step by step, it came at
length to Sir John Tobin, of Liverpool, and thence to the British
Museum.
The partly sculpturesque character of the border-frames are of the kind
just referred to, with festoons and garlands of flowers, and drapery,
monograms, and emblems in full rich colours; the architecture and other
ornaments sometimes finished with pencillings of gold. The miniatures
are of excellent design and colour, finely modelled, and quite in the
manner of the paintings of Fontainebleau. The text is a combination of
Jarry-like Roman with italic. It may be compared with 18854, similar in
some respects, but the smaller miniatures and the frames look more like
the older school of Tours. This MS. is also a Book of Offices, and was
written for François de Dinteville, Bishop of Auxerre, in 1525, as
appears from an inscription in gold letters on fol. 26 v.
[Illustration:
OFFICM. B. MARIÆ VIRGINES
C. 1530
_Brit. Mus. Add. MS. 18853, fol. 52_]
[Illustration:
OFFICM. MORTUORUM.
16TH CENT. (EARLY)
_Brit. Mus. Egert. MS. 2125, fol. 183_]
Some of the border-frames are drawn in sepia, others in red-brown or
burnt siena, and highly finished with gold. The writing is a small Roman
hand. On the whole it is richer in illustration than 18853, but not so
perfect in drawing, yet it is a very fine MS. Sometimes it has a border
like those in the "Hours of Anne of Brittany." On fol. 26 v. is a
curious border of twisted ribbons covered with mottoes, such as
"Virtutis fortuna comes", "Ingrates servire nephas," etc.
Some of the tiny miniatures of the saints in the _Memoriæ_ are very
charmingly painted: St. Mary Magdalene, for instance, on fol. 147 v. The
pillar architecture of some of the borders, with pendant festoons of
flowers, is also very handsome.
Public-domain text, read in full here on John Shaqi.
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