One beautifully illuminated copy of the Mutation of Fortune in two volumes is a curious example of its title, for one volume of it is in the National Library at Paris (fonds fr. 603) and the other in the Royal Library at Munich. In the former we have her portrait. In a blue gown she sits at her writing-desk busy at her work. On her head is the muslin-draped and high-peaked "hennin." Beside her a table covered with a green cloth and laden with crimson and violet-bound books and an inkstand. Her chair has a high back, and the floor is of the usual kind seen in illuminations; that is, as if composed of a parquetry of coloured woodwork or of tiles of various kinds of marble. On the sill of the Gothic-latticed window, through which we catch a glimpse of the blue sky, stands a vase of flowers. Not perhaps an ideal lady's boudoir, but still an apartment of taste, and an altogether charming little picture. In the second miniature of the Munich volume Christine is standing in a chamber--in the same costume as above described. The pictures on the walls are--a fortress, a watchman, two knights, a prince with crown and sceptre, seated on his throne, surrounded by courtiers; a duel; and a martyr having his head struck off. Just such mediæval subjects as we may expect in a fifteenth-century mansion. In a copy of the "Cité des Dames" at Munich is another portrait of Christine. The book is an Apology for the feminine sex, and it is well thought out. It appears that the conversation of the time was not always free from rather severe sarcasm concerning the ladies. We learn from Du Verdier that the continuator of the Romance of the Rose narrowly escaped most condign chastisement from some of the insulted sex at the French Court for the base insinuations in his poem against the character of women. Christine herself heartily disapproved of the Romance of the Rose, and wrote a sharp criticism upon it. Her "Cité des Dames" is an elaborate confutation of the opinion that women are naturally more immoral and less capable of noble studies or high intellectual attainments than men. In her introduction she says: "I reflected why men are so unanimous in attributing wickedness to women. I examined my own life and those of other women to learn why we should be worse than men, since we also were created by God. I was sitting ashamed with bowed head and eyes blinded with tears, resting my chin on my hands in my elbow-chair, when a dazzling beam of Light flashed before me, which came not from the sun, for it was late in the evening. I glanced up and saw standing before me three female figures wearing crowns of gold, and with radiant countenances. I crossed myself, whereupon one of the three addressed me. 'Fear not, dear daughter, for we will counsel and help thee. The aphorisms of the Philosophers are not Articles of Faith, but simply the mists of error and self-deception.'" The three ladies or goddesses are Fame, Prudence, and Justice, and they command Christine