Fig. 45 represents one wing of an altar triptych by Hans Holbein the elder, painted about the year 1514. This beautiful figure of Saint Elizabeth of Hungary is interesting as showing the influence of Italian art, which at that time was widely spread throughout Germany and France; it also, in its minutely delicate touch and in the grotesque ornaments at the top and bottom, shows a strong tendency to use the forms and methods of the manuscript illuminator. _Illuminations by A. Dürer._ Manuscripts of the Teutonic school, which are known to be by the hand of a famous painter, are of rare occurrence; there is therefore special interest in the book of which one of the border-illuminations is illustrated in fig. 46. The text itself (a book of prayers) is _printed_ on vellum, but forty-five of the pages are decorated with borders drawn by the masterly hand of Albert Dürer in red, green and violet ink, a method possibly suggested to Dürer by the sight of one of the tenth or eleventh century manuscripts which were illuminated with outline drawings in inks of these three colours. This beautiful prayer-book was decorated by Albert Dürer in 1515 for the Emperor Maximilian; it is now in the Munich Library[170]. There is much that is grotesque and humorous introduced among the finely designed scroll-work of these borders; and their firm strong touch, united to much fanciful grace of form in the varied forms of leafage, makes the whole well worthy of its illuminator's artistic fame. [Illustration: Fig. 45. Wing of a triptych, with a figure of St Elizabeth of Hungary, painted by the elder Hans Holbein; this illustrates the influence on painting of the styles of manuscript illumination at the beginning of the sixteenth century.] [Illustration: Fig. 46. Illuminated border drawn by Albert Dürer in 1515.] The border illustrated here has, at the foot, a spirited group of musicians, and a beautiful background, with a river and castle-crowned hill, such as Dürer loved to introduce into paintings and engravings of all kinds. On one of the kettledrums in the foreground are the initials of the artist and the date 1515. _Dutch fifteenth century manuscripts._ In the main the manuscripts of Holland resemble those either of the other contemporary Teutonic or of the Franco-Flemish schools. In the fifteenth century an enormous number of _Books of Hours_ and other works for private devotion, such as "the Book of Christian Belief," _Den Boeck van den Kersten Ghelove_, and others of the same class, were produced in Holland. Many of these are written in the vulgar tongue. _Dutch methods of ornament._