Illuminated manuscripts in classical and mediaeval times, their art and their techniqueMiddleton, J. H. (John Henry)
History
Illuminated manuscripts in classical and mediaeval times, their art and their technique
Middleton, J. H. (John Henry)
Illumination of books and manuscripts; Manuscripts
From Ireland the art of illuminating manuscripts was carried by monkish
colonists to the Western coasts of Scotland, and especially to the Island
of Iona, where a monastery had been founded by Saint Columba in the latter
part of the sixth century[66]. Great numbers of manuscripts resembling in
style the _Book of Kells_ were produced in Iona; and offshoots from the
monastery of Iona, established at various places on the mainland, became
similar centres for the writing of richly decorated manuscripts. No less
than thirteen monasteries in Scotland and twelve in England were founded by
Irish monks from the mother settlement in Iona. In fact the whole of
Britain seems to have owed its Christianity, during the Anglo-Saxon period,
to the Irish missionaries from Iona, with the important exception of the
kingdom of Kent, which was occupied by the Roman mission of Saint
Augustine.
_Celtic missionaries._
In the year 635, at the request of Oswald King of Northumbria, the Scottish
king sent an Irish monk from Iona, named Aidan, to preach Christianity to
the Northumbrian worshippers of Thor and Odin. Aidan selected the little
island of Lindisfarne as the head-quarters of his missionary church, which,
at first consisting mainly of a few Irish monks from Iona, rapidly grew in
size and importance. In a few years, Saint Aidan, Bishop and Abbot of
Lindisfarne, was able to establish a number of monastic houses throughout
the Northumbrian Kingdom, and his own Abbey of Lindisfarne became one of
the chief centres of Northern Europe for the production of fine illuminated
manuscripts of the Celtic type.
After the death of Saint Aidan other Irish monks succeeded him as Bishop of
Lindisfarne, and the school of manuscript illumination continued to
flourish.
_Gospels of St Cuthbert._
One of the most beautiful existing examples of the Lindisfarne branch of
the Irish school of miniature work is the famous "Book of the Gospels of
Saint Cuthbert[67]" as it is called, now in the British Museum (_Cotton
manuscripts, Nero_, D. IV). The history of this manuscript is a very
curious one; it was written some years after Saint Cuthbert's death in 688,
not during his lifetime as was formerly believed. Eadfrith, a monk of
Lindisfarne in Saint Cuthbert's time, and subsequently eighth Bishop of
Lindisfarne (698 to 721), was the writer of these _Gospels_, "in honour of
God and of Saint Cuthbert," as he records in a note. The illuminations were
added by the monk Aethelwold, afterwards ninth Bishop of Lindisfarne, and
the elaborate gold, gem-studded cover of this magnificent _textus_ was the
work of a third monk of the same Abbey named Bilfrith.
_Viking piracy._
_Travels of the Gospels._
Public-domain text, read in full here on John Shaqi.
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