This process of striving to seize some connecting link, or thread of
order, is illustrated whenever, in waking life, we are suddenly brought
face to face with an unfamiliar scene. When taken into a factory, we
strive to arrange the bewildering chaos of visual impressions under some
scheme, by help of which we are said to understand the scene. So, if on
entering a room we are plunged in _medias res_ of a lively conversation,
we strive to find a clue to the discussion. Whenever the meaning of a
scene is not at once clear, and especially whenever there is an
appearance of confusion in it, we are conscious of a painful feeling of
perplexity, which acts as a strong motive to ever-renewed attention.[97]
In touching on this intellectual impulse to connect the disconnected, we
are, it is plain, approaching the question of the very foundations of
our intellectual structure. That there is this impulse firmly rooted in
the mature mind nobody can doubt; and that it manifests itself in early
life in the child's recurring "Why?" is equally clear. But how we are to
account for it, whether it is to be viewed as a mere result of the play
of associated fragments of experience, or as something involved in the
very process of the association of ideas itself, is a question into
which I cannot here enter.
What I am here concerned to show is that the search for consistency and
connection in the manifold impressions of the moment is a deeply rooted
habit of the mind, and one which is retained in a measure during sleep.
When, in this state, our minds are invaded by a motley crowd of
unrelated images, there results a disagreeable sense of confusion; and
this feeling acts as a motive to the attention to sift out those
products of the dream-fancy which may be made to cohere. When once the
foundations of a dream-action are laid, new images must to some extent
fit in with this; and here there is room for the exercise of a distinct
impulse to order the chaotic elements of dream-fancy in certain forms.
The perception of any possible relation between one of the crowd of new
images ever surging above the level of obscure consciousness, and the
old group at once serves to detain it. The concentration of attention on
it, in obedience to this impulse to seek for an intelligible order, at
once intensifies it and fixes it, incorporating it into the series of
dream-pictures.
Public-domain text, read in full here on John Shaqi.
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