Illustrated history of ancient literature, oriental and classicalQuackenbos, John D. (John Duncan)
History
Illustrated history of ancient literature, oriental and classical
Quackenbos, John D. (John Duncan)
Classical literature -- History and criticism; Oriental literature -- History and criticism
Such, however, is the continuity of the narrative, the identity of
style, the consistency in carrying out the several characters, that
this theory, ingeniously as it has been urged, lacks credibility.
We see no reason to doubt that, despite a few minor discrepancies,
one great intellect gave birth in the main to both these epics; that
whatever foundations for them may have been laid in previous ballads,
the glorious superstructures were reared by one master-builder. It is
easier to believe that there was one transcendent genius, than that
there were half a dozen of uniform poetic power, competent to have had
a hand in works so glorious—works displaying perfect unity of design,
and taste so faultless that from them, as standards, have been deduced
the very principles of criticism and laws of epic poetry.
Besides the internal evidence of its authenticity, the historical facts
woven into the Iliad have received unexpected confirmation in the
discoveries of Doctor Schliemann, a German explorer who claims to have
unearthed the Ilium of Homer, and to have found among its ruins gold
and amber ornaments once worn by King Priam.
=Plan of the Odyssey.=—In the Odyssey, divided like the Iliad
into twenty-four books, Homer has immortalized the story of the
return-voyage of Ulysses (_Odysseus_ in Greek) from Troy to Ithaca.
After a series of remarkable adventures and hair-breadth escapes,
the hero is cast on the lovely island of the sea-nymph Calypso, who,
becoming enamored of him, detains him for seven years. During this
time, a number of insolent suitors force themselves upon Ulysses’
faithful wife Penelope, take up their residence at her court, and there
lead a riotous life, hoping that the queen will bestow her hand on one
of them and thus make him lord of Ithaca. They even plan the murder of
her son Telem’achus.
Admonished by Jupiter, Calypso reluctantly allows Ulysses to depart,
and he finally reaches Ithaca in safety. Disguised as a beggar, he
enters his palace after an absence of twenty years, to endure the
insults of the suitors, but to concert with his son for their overthrow.
On the following day, a great festival is held, and Penelope agrees to
give her hand to him who shall send an arrow from Ulysses’ bow through
a row of twelve rings. The suitors try in turn without success; but
the beggar, obtaining possession of the bow, draws the shaft to its
head and accomplishes the feat. Then turning on the trembling suitors,
he showers his arrows among them, and none escape. The true-hearted
Penelope is restored to him whom she had wept as lost, and husband and
wife sit down together to talk over the sorrows of the past.
“She told him of the scorn and wrong
She long had suffered in her house,
From the detested suitor throng,
Each wooing her to be his spouse;
How, for their feasts, her sheep and kine
Were slaughtered, while they quaffed her wine
In plentiful carouse.
Public-domain text, read in full here on John Shaqi.
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