Illustrated history of ancient literature, oriental and classicalQuackenbos, John D. (John Duncan)
History
Illustrated history of ancient literature, oriental and classical
Quackenbos, John D. (John Duncan)
Classical literature -- History and criticism; Oriental literature -- History and criticism
Antony demanded his life, and Octavius covered himself with infamy by
yielding it. The orator met his fate near his villa at Formiæ; timid
throughout his life, in the last scene he exhibited manly fortitude.
He is said to have been calmly reading the “Medea” of Euripides in
his litter when Antony’s myrmidons overtook him; a desperado who owed
him many favors, while even his brutal companions covered their eyes,
struck the fatal blow. The head and hands of the murdered orator were
cut off and sent to Antony, whose inhuman wife, as she fondled the
ghastly head in her lap, maliciously thrust her bodkin into the tongue
that had denounced her husband.—True as it was, it ill became the
time-serving Octavius to say, when afterward wielding the sceptre of
the world as Augustus Cæsar, “Cicero was a good citizen, who really
loved his country.”
CICERO’S WORKS.—Cicero was emphatically a many-sided man, and filled a
wide space in Roman literature. Though he excelled chiefly in oratory,
he has left us, besides fifty-nine orations, a number of philosophical
treatises, essays, and many letters to his friend Atticus, his brother,
and other correspondents. While deeply absorbed in public duties, he
found opportunities, without neglecting these, to pursue the study of
philosophy, having in view not only his own relaxation, but also the
moral advancement of his countrymen. His works on this subject, some of
which, for the sake of interest and variety, he wrote in the form of
dialogues, present a valuable survey of the Greek systems. They assert
his belief in the existence of one Supreme Creator and the immortality
of the soul. (_See Mayor’s “A Sketch of Ancient Philosophy.”_)
Cicero’s chief philosophical writings are “the Tusculan Disputations,”
imaginary discussions of various practical questions at the author’s
Tusculan villa,—the scorn of death, the endurance of suffering, etc.;
“the Offices,” a moral essay; treatises “On Friendship” and “On Old
Age,” justly considered as among the most charming productions of their
class in any literature; political dissertations “On the Republic” and
“On Laws;” and a theological disquisition “On the Nature of the Gods.”
THE END OF LIFE.
[From Cicero’s Treatise on Old Age.]
“An old man, indeed, has nothing to hope for; yet he is in so much the
happier state than a young one; since he has already attained what
the other is only hoping for. The one is wishing to live long, the
other has lived long. And yet, good gods! what is there in man’s life
that can be called long? To my mind, nothing whatever seems of long
duration, in which there is any end. For when that arrives, then the
time which is past has flowed away; that only remains which you have
secured by virtue and right conduct. Hours indeed depart from us, and
days, and months, and years; nor does past time ever return, nor can
it be discovered what is to follow.
Public-domain text, read in full here on John Shaqi.
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