Illustrated history of ancient literature, oriental and classicalQuackenbos, John D. (John Duncan)
History
Illustrated history of ancient literature, oriental and classical
Quackenbos, John D. (John Duncan)
Classical literature -- History and criticism; Oriental literature -- History and criticism
Having declared in this poem that “he would wed Cæsar’s glories to
an epic strain,” Virgil was held to his promise by the emperor, at
whose solicitation he gave the rest of his life (eleven years) to the
composition of the Æneid. In this great epic, like the Odyssey a sequel
to the Iliad, the origin of Rome is traced back to ancient Troy, and
the genealogy of Augustus to her greatest surviving hero, “the pious
Æneas.” Death stopped the poet’s pen when three years’ labor was yet
necessary, in his estimation, to perfect his work.
It appears that in the year 19 B.C. Virgil undertook a tour through
Greece and Asia Minor, to acquaint himself with the geography of the
countries described in the Æneid; but meeting Augustus at Athens, he
changed his plans and started with the emperor for Rome. On the way he
was seized with a mortal illness, and only lived to reach the harbor
of Brundisium in southern Italy. On his death-bed, Virgil besought his
friends to bring him the manuscript of his epic, that he might consign
it to the flames; but they wisely saved a masterpiece which the modesty
of its author would have condemned to oblivion.
Virgil was interred at Naples. A simple vault, overgrown with ivy and
wild myrtle, still marks his grave. On a marble slab set in the rock
opposite is the inscription which Dryden has thus rendered:—
“I sung flocks, tillage, heroes: Mantua gave
Me life; Brundisium, death; Naples, a grave.”
Virgil has been described as a tall, dark-complexioned man, careless
of his dress, and with awkward country airs. His life was that of a
student; and despite the fact that he was a martyr to dyspepsia and
pulmonary disease, he did not allow his delicate health to interfere
with his literary labors. Of gentle, unassuming manners, he would fly
from the admiring crowds that followed him in the streets; and none
would have inferred from his appearance or conversation that he was a
great poet. He was more than a great poet—he was a pure, unselfish,
honest man, uncontaminated by the prevailing vices. Not the least among
his virtues was filial piety. His countrymen felt how great and noble
he was, when they rose in the theatre and paid him equal honor with the
emperor himself.
Had he lived, it was Virgil’s purpose, after completing the Æneid, to
study philosophy, the love of which he had imbibed in early life from
the verses of Lucretius. The investigation of truth was his highest
aim; and there are reasons for believing that he had in mind the
preparation of a grand philosophical poem that might have cast into the
shade the stately treatise “On the Nature of Things.”
Such liberality had Virgil experienced from his friends that he left
a fortune of $400,000, to be divided, as he never married, among his
brother, Augustus, Mæcenas, and others of his associates.
Public-domain text, read in full here on John Shaqi.
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