Illustrated history of ancient literature, oriental and classicalQuackenbos, John D. (John Duncan)
History
Illustrated history of ancient literature, oriental and classical
Quackenbos, John D. (John Duncan)
Classical literature -- History and criticism; Oriental literature -- History and criticism
Among the lesser lights of the first Christian century were QUINTUS
CURTIUS, who compiled a “History of Alexander the Great;” COLUMELLA,
a writer on agriculture; POMPONIUS MELA, the first Latin geographer;
PROBUS, the grammarian; VALERIUS FLACCUS, who wrote the epic
“Argonautica,” in imitation of Apollonius Rhodius; and SILIUS ITALICUS,
author of a third-rate epic on the Punic Wars.
AGE OF TRAJAN AND THE ANTONINES.
=Juvenal= (40-125 A.D.), the single poet of this age, ranks with Rome’s
great writers. The accounts of his life are fragmentary and obscure.
A native of Aqui’num in Latium, he came to Rome, and was apparently a
student of rhetoric, perhaps an advocate. A chance lampoon on an actor
revealed to him his satirical talent, and forthwith he applied himself
to that branch of poetry in which he became so eminent. Too modest at
first to read his satires even before his friends, Juvenal postponed
publishing them until his sixtieth year, when they took Rome by storm.
Sixteen of them survive.
His fierce diatribes not unnaturally gave offence in high places;
and at length the emperor Ha’drian[49] quietly sent their author off
to Egypt, to command a Roman cohort stationed there—a disgrace which
brought the old satirist in sorrow to the grave.
Juvenal probed Roman society to its very depths, laying bare vices of
the blackest dye. In his day, the degenerate masters of the world even
out-sodomed Sodom in depravity. Nobles and emperors openly perpetrated
the vilest crimes. High-born ladies, in male attire, entered the arena
to fight like gladiators; revelled in reckless extravagance; plunged
into immoralities that call up a blush in the very recital, and even
added the arts of the poisoner to their accomplishments. Thus the poet
exclaims against these fashionable murderesses:—
“They see upon the stage the Grecian wife
Redeeming with her own her husband’s life;
Yet, in her place, would willingly deprive
Their lords of breath, to keep their dogs alive!
Abroad, at home, the Belides[50] you meet,
And Clytemnestras swarm in every street;
But here the difference lies—those bungling wives
With a blunt axe hacked out their husbands’ lives;
While now the deed is done with dexterous art,
And a drugged bowl performs the axe’s part.”
In the blaze of his satire Juvenal brought out the representative
characters of his time. Parasites, hypocrites, and panders, upstarts,
legacy-hunters, and gamblers, ballet-dancers and fortune-tellers,
gluttons and sots,—defile before us in his pages till we turn with
nausea from the revolting panorama. Well might the poet sigh:—
“Oh! happy were our sires, estranged from crimes;
And happy, happy were the good old times,
Which saw beneath their kings’, their tribunes’ reign,
One cell the nation’s criminals contain!”
Public-domain text, read in full here on John Shaqi.
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