Illustrated history of ancient literature, oriental and classicalQuackenbos, John D. (John Duncan)
History
Illustrated history of ancient literature, oriental and classical
Quackenbos, John D. (John Duncan)
Classical literature -- History and criticism; Oriental literature -- History and criticism
=The Prophets.=—The names of three great prophets—Jeremiah, Ezekiel,
and Daniel—illuminate the first page in the history of the decline of
Hebrew literature. But in their writings, and notably so in those of
the later minor prophets, poetry was evidently on the wane. They lived
in a degenerate day. About half of the prophecy of Jeremiah, denouncing
the judgment of Heaven on the disobedient people, is poetry; he lacks
the pomp and majesty of Isaiah, but excels in stirring the gentler
emotions.
His Lamentations are beautiful elegies on the fall of his country and
the desecration of the temple; every letter seems “written with a
tear and every word the sound of a broken heart.” The verses of the
several chapters in the original begin with consecutive letters of
the alphabet, that they may be the more easily memorized, for it was
intended that the sins and sufferings of the Jewish nation should never
be forgotten. Can anything be more touching than the personification of
Jerusalem, sitting as a solitary widow on the ground and mourning for
her children?
“Is this nothing to all you who pass along the way? behold and see
If there be any sorrow like unto my sorrow, which is inflicted on me;
Which Jehovah inflicted on me in the day of the violence of his wrath.
For these things I weep, my eyes stream with water,
Because the comforter is far away that should tranquillize my soul.
My children are desolate, because the enemy was strong.”
Ezekiel and Daniel were carried captives to Babylon, where they made
known their prophetic visions. The former wrote partly in poetry,
characterized by a rough vehemence peculiar to himself. The Book of
Daniel, in which history is combined with prophecy, is in prose, and a
portion of it in the Aramaic language. (_Consult Keith’s “Evidence of
Prophecy.”_)
[Illustration: THE TOMB OF EZRA.]
Another writer of distinguished merit, belonging to this age, was the
scribe and priest Ezra (already mentioned), who was permitted to
return from Babylon to Jerusalem with a company of his people, 458 B.C.
He settled the canon of Scripture, restoring and editing the whole of
the Old Testament.
=The Apocrypha= (_secret writings_) consist chiefly of the stories
of To’bit and Judith, the first and second books of Esdras and of
the Maccabees, Ba’ruch, the Wisdom of Solomon, and Ecclesiasticus or
the Wisdom of the Son of Sirach. Composed during the three centuries
immediately preceding the Christian Era, they bear internal evidence,
in their lack of the ancient poetical power, of belonging to an age of
literary decline. They were mostly included in the canon of Scripture
by the Council of Trent in 1545, but are rejected by Protestants as
uninspired.
Ecclesiasticus, best of the Apocryphal books, is full of moral,
political, and religious precepts, its object being to teach true
wisdom and its style resembling the didactic poetry of Solomon. The
following fine passage, versified by Lowth, personifies
WISDOM.
Public-domain text, read in full here on John Shaqi.
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