Illustrated history of ancient literature, oriental and classicalQuackenbos, John D. (John Duncan)
History
Illustrated history of ancient literature, oriental and classical
Quackenbos, John D. (John Duncan)
Classical literature -- History and criticism; Oriental literature -- History and criticism
=Plan of the Iliad.=—The Iliad, a poem of twenty-four books, is a
tale of the siege of Troy (Il’ium), a city on the coast of Asia Minor
(probable date of the siege, 1194-1184 B.C.). The cause of the war was
the perfidious conduct of Paris, son of Priam, the Trojan monarch.
Hospitably entertained at the court of Menela’us, king of Sparta, he
eloped with Helen, the wife of his host, the most beautiful of women,
and carried her off to Asia with the treasures of her husband. To
avenge this outrage, Menelaus, supported by Nestor the sage of Py’los,
called upon the Greek princes, collected an armament of a thousand
ships, the command of which was conferred upon his brother Agamemnon,
and set sail for Troy. A war of ten years followed, which ended in
the capture of the city by stratagem, the slaughter of Priam and his
family, and the enslavement of many of the Trojans.
The special subject of the Iliad is the wrath of the Thessalian
Achilles (_a-kil’leez_), the leading warrior of the Grecian host,
and the time of the action is near the close of the war. Agamemnon,
compelled to restore to her father, a priest of Apollo, the captive
maid Chryse’is who had fallen to his share, seizes upon Brise’is, a
virgin allotted to Achilles. A quarrel results, and Achilles withdraws
from the camp.
Emboldened by his absence, the Trojans redouble their efforts.
Misfortunes to the Greek cause follow; and though many heroes second
only to Achilles—the stalwart Ajax, the cunning Ulysses, king of
Ithaca, Menelaus, and Diomede—exert themselves to turn the tide of
battle, the Greek host is made keenly to feel the loss of its puissant
champion. Jupiter, king of heaven, sides with the Trojans; and Hector
“of the dancing helm-crest” drives the besiegers to their ships.
At length Achilles, still unwilling to join in the fray himself,
allows Patro’clus, his bosom-friend, to lead his Myrmidons to the
rescue. Arrayed in the armor of the Thessalian chief, Patroclus puts
to flight the deceived Trojans; but, pursuing them too far, receives
a death-wound from the hand of Hector. The news of his friend’s fall
fills Achilles with thirst for revenge. A reconciliation is effected
with Agamemnon; Achilles returns to the field; the enemy are thrown
into confusion; and Hector, pierced by his spear, is dragged in triumph
at Achilles’ chariot-wheels. The wrath of the Greek hero is finally
appeased by the sacrifice of twelve Trojan captives at the funeral of
Patroclus.
To redeem the body of his son, old Priam, alone and unarmed, enters the
Grecian camp, is well received by Achilles, who melts into pity at the
sight of the grief-stricken suppliant, accomplishes his purpose, and
returns to Troy with Hector’s corpse. This meeting between Achilles and
Priam is counted among the finest scenes.—The Iliad closes with the
obsequies of Hector. (_See Gladstone’s “Homer and the Homeric Age.”_)
Public-domain text, read in full here on John Shaqi.
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