Illustrated History of Furniture, fifth ed.: From the Earliest to the Present TimeLitchfield, Frederick
History
Illustrated History of Furniture, fifth ed.: From the Earliest to the Present Time
Litchfield, Frederick
Furniture -- History
The bedstead of King Theebaw, brought from Mandalay, is an example of this
mixture of glass and wood, which can be made extremely effective. The
wood is carved and gilt to represent the gold setting of numerous precious
stones, which are counterfeited by small pieces of looking-glass and
variously-colored pieces of transparent glass.
Some of King Edward's (at the time Prince of Wales) presents--namely,
chairs with carved lions forming arms; tables of shishem wood, inlaid with
ebony and ivory, shew the European influence we have alluded to.
Amongst the modern ornamental articles in the Museum are many boxes, pen
trays, writing cases, and even photographic albums, of wood and ivory
mosaic work, the inlaid patterns being produced by placing together strips
of tin wire, sandal wood, ebony, and of ivory, white, or stained green:
these strips, when bound into a rod, either triangular or hexagonal, are
cut into small sections, and then inlaid into the surface of the article
to be decorated.
Papier maché and lacquer work are also frequently found in small articles
of furniture; and the collection of drawings by native artists attest the
high skill in design and execution attained by Indian craftsmen.
PERSIA.
The Persians have from time immemorial been an artistic people, and their
style of Art throughout successive generations has varied but little.
Major-General Murdoch Smith, R.E., the present Director of the branch of
the South Kensington Museum in Edinburgh, who resided for some years in
Persia, and had the assistance when there of M. Richard (a well-known
French antiquary), made a collection of _objets d'art_ some years ago
for the Science and Art Department, which is now in the Kensington
Museum, but it contains comparatively little that can be actually termed
furniture; and it is extremely difficult to meet with important specimens
of ornamental woodwork of native workmanship. Those in the Museum, and
in other collections, are generally small ornamental articles. The
chief reason for this is, doubtless, that little timber is to be found
in Persia, except in the Caspian provinces, where, as Mr. Benjamin has
told us in "Persia and the Persians," wood is abundant; and the Persian
architect, taking advantage of his opportunity, has designed his houses
with wooden piazzas--not found elsewhere--and with "beams, lintels, and
eaves quaintly, sometimes elegantly, carved, and tinted with brilliant
hues." Another feature of the decorative woodwork in this part of Persia
is that produced by the large latticed windows, which are well adapted to
the climate.
[Illustration: DOOR.
Of carved sandal wood, from Travancore. Indian Museum, South Kensington.
PERIOD: PROBABLY LATE XVIII. CENTURY.]
Public-domain text, read in full here on John Shaqi.
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