Illustrated History of Furniture, fifth ed.: From the Earliest to the Present TimeLitchfield, Frederick
History
Illustrated History of Furniture, fifth ed.: From the Earliest to the Present Time
Litchfield, Frederick
Furniture -- History
There are many other museum specimens which might be referred to,
proving the influence of French design of the seventeenth and subsequent
centuries on that of other countries. The above illustration of a Norse
interior shews that this influence penetrated as far as Scandinavia;
the old-fashioned box-like bedsteads which the Norwegians had retained
from early times, and which in a ruder form are still to be found in
the cottages of many Scottish counties, especially of those where the
Scandinavian connection existed, are characteristic of the country. The
design of the chairs in the preceding illustration is an evidence of the
innovations which had been made upon native fashions. These chairs are
in style thoroughly Dutch, of about the end of the seventeenth, or early
in the eighteenth century; the cabriole legs and shell ornaments were
probably the direct result of the influence of the French on the Dutch.
The woodcut is from a drawing of an old house in Norway.
[Illustration: SECRETAIRE.
In King and Tulip Wood, with Sêvres Plaques and Ormolu Mountings.
PERIOD: EARLY LOUIS XVI.]
It would be unfitting to close this chapter on French furniture without
paying tribute to the munificence and public spirit of Mr. John Jones,
whose bequest to the South Kensington Museum constitutes in itself a
representative Museum of this class of decorative furniture. Several of
the illustrations in this chapter have been taken from this collection.
The money value alone of this collection of furniture, porcelain, bronzes,
and _articles de vertû_, mostly of the period embraced within the limits
of this chapter, amounts to about £400,000, and exceeds the value of any
bequest the nation has ever had. Perhaps the references contained in
these few pages, to the French furniture of this time, may stimulate the
interest of the public in, and its appreciation of, this valuable national
property.
[Illustration: CLOCK.
By Robin, in Marqueterie Case, with Mountings of Gilt Bronze.
(_Jones Collection, South Kensington Museum._)
LOUIS XVI. PERIOD.]
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