Illustrated History of Furniture, fifth ed.: From the Earliest to the Present TimeLitchfield, Frederick
History
Illustrated History of Furniture, fifth ed.: From the Earliest to the Present Time
Litchfield, Frederick
Furniture -- History
There is a passage in an article on "Art," by a democratic French writer,
as early as 1790--when the great storm cloud was already threatening to
burst--which is quoted by Mr. C. Perkins, the American translator of Dr.
Falke's German work, "Kunst im Hause," and gives us the keynote to the
great change which took place in the fashion of furniture about the time
of the Revolution:--"We have changed everything; freedom, now consolidated
in France, has restored the pure taste for the antique! Farewell to your
marqueterie and Boule, your ribbons, festoons, and rosettes of gilded
bronze; the hour has come when objects must be made to harmonize with
circumstances."
Thus it is hardly too much to say that designs were governed by the
politics and philosophy of the day; and one finds in furniture of this
period, the reproduction of ancient Greek forms for chairs and couches;
ladies' work tables, too, are fashioned somewhat after the old drawings
of sacrificial altars; and the classical tripod is a favourite support.
The mountings represent antique Roman fasces with an axe in the centre;
trophies of lances, surmounted by a Phrygian cap of liberty; winged
figures, emblematic of freedom; and antique heads of helmeted warriors
arranged like cameo medallions.
After the execution of Robespierre, and the abolition of the Revolutionary
Tribunal in 1794, came the establishment of the Directory; and then, after
Buonaparte's brilliant success in Italy, and the famous expeditions to
Syria and Egypt two years later, came his proclamation as First Consul in
1799, which, in 1802, was confirmed as a life appointment.
We have only to refer to the portrait of the great soldier, represented
with the crown of bay leaves and other attributes of the old Roman
imperialism, to see that in his mind was the ambition of reviving much of
the splendour and of the surroundings of the Cæsars, whom he took, to some
extent, as his models; and that in founding on the ashes of the Revolution
a new fabric, with new people about him, all influenced by his energetic
personality, he desired to mark his victories by stamping the new order of
things with his powerful and assertive individualism.
Public-domain text, read in full here on John Shaqi.
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