The illustration of Wright and Mansfield's satinwood cabinet, with Wedgwood plaques inserted, and with wreaths and swags of marqueterie inlaid, is in the Adams style, a class of design of which this firm made a _specialité_. Both Wright and Mansfield had been assistants at Jackson and Graham's, and after a short term in Great Portland Street, they removed to Bond Street, and carried on a successful business of a high class and somewhat exclusive character, until their retirement some years ago. This cabinet was exhibited in Paris in 1867, and was purchased by our South Kensington authorities. Perhaps it is not generally known that a grant is made to the Department for the purchase of suitable specimens of furniture and woodwork for the Museum. This expenditure is made with great care and discrimination. It may be observed here that the South Kensington Museum, which was founded in 1851, was, at the time of which we are writing, playing an important part in the Art education of the country. The literature of the day also contributed many useful works of instruction and reference for the designer of furniture and woodwork. [Illustration: CABINET OF EBONY WITH CARVINGS OF BOXWOOD. DESIGNED AND MANUFACTURED BY M. FOURDINOIS, PARIS. 1867 EXHIBITION, PARIS. (PURCHASED BY S. KENSINGTON MUSEUM FOR £1,200.)] [Illustration: CABINET IN SATINWOOD. With Wedgwood plaques and inlay of various woods in the Adams style. DESIGNED AND MANUFACTURED BY MESSRS. WRIGHT & MANSFIELD, LONDON. 1867 EXHIBITION, PARIS. (PURCHASED BY THE SOUTH KENSINGTON MUSEUM.)] [Illustration: EBONY AND IVORY CABINET. In the Style of Italian Renaissance by ANDREA PICCHI, Florence. EXHIBITED PARIS, 1867. _Note._--A marked similarity in this design to that of a 17th Century cabinet, illustrated in the Italian section of Chapter iii., will be observed.]