Illustrated History of Furniture, fifth ed.: From the Earliest to the Present TimeLitchfield, Frederick
History
Illustrated History of Furniture, fifth ed.: From the Earliest to the Present Time
Litchfield, Frederick
Furniture -- History
The ruling principle in the majority of these designs has been to avoid
over-ornamentation, and pretentions to display, and to encourage good
solid work, in hard, durable, and (on account of the increased labour)
expensive woods, or, when economy is required, in light soft woods,
painted or enamelled. Some manufacturing firms, whose high reputation
renders them independent of any recommendation, have adopted this
principle, and, as a result, there is now no difficulty in obtaining
well designed and soundly well constructed furniture, which is simple,
unpretentious, and worth the price charged for it. Unfortunately for the
complete success of these sounder principles, really good and appropriate
furniture meets with a fierce competition from more showy and ornate
productions, made to sell rather than to last: furniture which seems to
have upon it the stamp of our "three years' agreement," or "seven years'
lease." Of this it may be said, speaking not only from an artistic, but
from a moral and humane standpoint, it is made so cheaply, that it seems a
pity it is made at all.
A revival in taste, which has been not inappropriately termed "The New
Renaissance," and has produced many excellent results, has been brought
about by several well-known architects and designers. Mr. Street, R.A.;
Messrs. Norman Shaw, R.A.; Waterhouse, R.A.; Sir Alma Tadema, R.A.; T.
G. Jackson, R.A.; W. Burges, R.A.; Walter Crane, Thomas Cutler, E. W.
Godwin, W. Morris, B. J. Talbert, S. Webb, and many others, have devoted
a considerable amount of attention to the design of furniture; but it is
scarcely within the writer's province to attempt a description of the
character of their respective work.
The "Trade" Journals, too, have contributed their influence by publishing
drawings of work completed, suggestions for their readers to carry out,
and also by illustrated notices of the different exhibitions which take
place from time to time.
The "Cabinet Maker and Art Furnisher," edited by Mr. J. Williams Berm,
M.P., L.C.C., contains "Pen and Ink Notes by the Editor," which should be
useful, as they are certainly instructive; and a number of good designs
are published month by month, in "Furniture and Decoration." These are
contributed by J. W. Bliss, R. A. Briggs, A.R.I.B.A., H. L. Chalmers, Owen
W. Davis, Lewis F. Day, Edwin Foley, Christopher Gill, Bertram Goodhue,
Ernest George and Peto, A. Jonquet, Felix Lenoir, Letharby, Wilbert
Rattray, Stenhouse, John Turner, Frank Ward, A. H. Wolf, and the editors
themselves--Timms and Webb.
Public-domain text, read in full here on John Shaqi.
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