Illustrated History of Furniture, fifth ed.: From the Earliest to the Present TimeLitchfield, Frederick
History
Illustrated History of Furniture, fifth ed.: From the Earliest to the Present Time
Litchfield, Frederick
Furniture -- History
There are in London other excellent examples of Elizabethan oak carving.
Amongst those easily accessible and valuable for reference, are the Hall
of Gray's Inn, built in 1560, the second year of the Queen's reign,
and Middle Temple Hall, built in 1570-2. By permission of Mr. William
R. Douthwaite, librarian of "Gray's Inn," and author of "Gray's Inn,
its History and Associations," we are enabled to give illustrations
of the interior of the Hall, and also of the carved screen supporting
the Minstrels' Gallery. The interlaced strap work, generally found in
Elizabethan carving, encircles the shafts of the columns as a decoration.
The table in the centre has also some low relief carving on the drawer
front which forms its frieze, but the straight and severe style of leg
leads us to place its date at some fifty years later than the Hall.
The desk on the left, and the table on the right, are probably of a
still later period. It may be mentioned here, too, that the long table
which stands at the opposite end of the Hall, on the daïs, said to have
been presented by Queen Elizabeth, is not of the design with which the
furniture of her reign is associated by experts; the heavy cabriole legs,
with bent knees, corresponding with the legs of the chairs (also on
the daïs) are of unmistakable Dutch origin, and so far as the writer's
observations and investigations have gone, were probably introduced into
England about the time of William III.
The same remarks apply to a table in Middle Temple Hall, also said to have
been there during Elizabeth's time. Mr. Douthwaite alludes to the rumour
of the Queen's gift in his book, and endeavoured to substantiate it from
records at his command, but in vain. The authorities at Middle Temple are
also, so far as we have been able to ascertain, without any documentary
evidence to prove the claim of their table to any greater age than the end
of the seventeenth century.
The carved oak screen of Middle Temple Hall is magnificent, and no one
should miss seeing it. Terminal figures, fluted columns, panels broken up
into smaller divisions, and carved enrichments of various devices, are all
combined in a harmonious design, rich without being overcrowded, and its
effect is enhanced by the rich color given to it by age, by the excellent
proportions of the Hall, by the plain panelling of the three other sides,
and above all by the grand oak roof, which is certainly one of the finest
of its kind in England. Some of the tables and forms are of a much later
date, but an interest attaches even to this furniture from the fact of
its having been made from oak grown close to the Hall; and as one of the
tables has a slab composed of an oak plank nearly thirty inches wide, we
can imagine what fine old trees once grew and flourished close to the now
busy Fleet Street, and the bustling Strand. There are frames, too, in
Middle Temple made from the oaken timbers which once formed the piles in
the Thames on which rested "the Temple Stairs."
Public-domain text, read in full here on John Shaqi.
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