Illustrated History of Furniture, fifth ed.: From the Earliest to the Present TimeLitchfield, Frederick
History
Illustrated History of Furniture, fifth ed.: From the Earliest to the Present Time
Litchfield, Frederick
Furniture -- History
The domestic habits of Englishmen were getting more established. We have
seen how religious persecution during preceding reigns, at the time of
the Reformation, had encouraged private domestic life of families in the
smaller rooms and apart from the gossiping retainer, who might at any time
bring destruction upon the household by giving information about items of
conversation he had overheard. There is a quaint passage in one of Sir
Henry Wotton's letters, written in 1600, which shews that this home life
was now becoming a settled characteristic of his countrymen.
"Every man's proper mansion house and home, being the theatre of his
hospitality, the seate of his selfe fruition, the comfortable part of
his own life, the noblest of his son's inheritance, a kind of private
princedom, nay the possession thereof an epitome of the whole world well
deserve by these attributes, according to the degree of the master, to be
delightfully adorned."
[Illustration: OAK CHIMNEY PLACE IN SIR WALTER RALEIGH'S HOUSE, YOUGHAL,
IRELAND.
Said to be the work of a Flemish Artist, who was brought over for the
purpose of executing this and other carved work at Youghal.]
Sir Henry Wotton was Ambassador in Venice in 1604, and is said to have
been the author of the well-known definition of an ambassador's calling,
namely, "an honest man sent to lie abroad for his country's good."
This offended the piety of James I., and caused him for some time to
be in disgrace. He also published, some 20 years later, "Elements of
Architecture," and being an antiquarian and man of taste, sent home many
specimens of the famous Italian wood carving.
It was during the reign of James I. and that of his successor that Inigo
Jones, our English Vitruvius, was making his great reputation; he had
returned from Italy full of enthusiasm for the Renaissance of Palladio and
his school, and of knowledge and taste gained by a diligent study of the
ancient classic buildings of Rome. His influence would be speedily felt in
the design of woodwork fittings, for the interiors of his edifices. There
is a note in his own copy of Palladio, which is now in the library of
Worcester College, Oxford, which is worth quoting:--
"In the name of God: Amen. The 2 of January, 1614, I being in Rome
compared these desines following, with the Ruines themselves.--INIGO
JONES."
[Illustration: CHIMNEY PIECE IN BYFLEET HOUSE.
EARLY JACOBEAN.]
Public-domain text, read in full here on John Shaqi.
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