Illustrated History of Furniture, fifth ed.: From the Earliest to the Present TimeLitchfield, Frederick
History
Illustrated History of Furniture, fifth ed.: From the Earliest to the Present Time
Litchfield, Frederick
Furniture -- History
In a volume of "Notes and Queries" there is a note which would shew that
the lady's wardrobe of this time (1622) was a very primitive article of
furniture. Mention is made there of a list of articles of wearing apparel
belonging to a certain Lady Elizabeth Morgan, sister to Sir Nathaniel
Rich, which, according to the old document there quoted, dated the 13th
day of November, 1622, "are to be found in a great bar'd chest in my
Ladie's Bedchamber." To judge from this list, Lady Morgan was a person of
fashion in those days. We may also take it for granted that beyond the
bedstead, a prie-dieu chair, a bench, some chests, and the indispensable
mirror, there was not much else with which to furnish a lady's bedroom in
the reign of James I. or that of his successor.
[Illustration: CHAIR USED BY KING CHARLES I. DURING HIS TRIAL.]
The "long settle" and "scrowled chair" were two other kinds of seats in
use from the time of Charles I. to that of James II. The illustrations
are taken from authenticated specimens in the collection of Mr. Dalton,
of Scarborough. They are most probably of Yorkshire manufacture, about
the middle of the seventeenth century. The ornament in the panel of the
back of the chair is inlaid with box or ash, stained to a greenish black
to represent green ebony, and with a few small pieces of rich red wood
then in great favour. Mr. G. T. Robinson, to whose article mentioned above
we are indebted for the description, says that this wood was "probably
brought by some buccaneer from the West." He also mentions another chair
of the Stuart period, which formed a table, and subsequently became the
property of Theodore Hook, who carefully preserved its pedigree. It was
purchased by its late owner, Mr. Godwin, editor of "The Builder." A
woodcut of this chair is on page 107.
[Illustration: SETTLE OF CARVED OAK.
Probably made in Yorkshire.
PERIOD: CHARLES II.]
Another chair to which there is an historical interest attached is that in
which Charles I. sat during his trial; this was exhibited in the Stuart
Exhibition in London in 1889. The illustration on page 108 is taken from a
print in "The Illustrated London News" of the time.
In addition to the chairs of oak, carved, inlaid, and plain, which were in
some cases rendered more comfortable by having cushions tied to the backs
and seats, the upholstered chair, which we have seen had been brought from
Venice in the early part of the reign of James I., now came into general
use. Few have survived, but there are still to be seen in pictures of the
period, chairs represented as covered with crimson velvet, studded with
brass nails, the seat being trimmed with fringe, similar to that at Knole,
illustrated on page 100.
[Illustration: CARVED OAK CHAIR.
Said to have been used by some of Cromwell's family.
(_The original in the possession of T. Knowles Parr, Esq._)]
[Illustration: CARVED OAK CHAIR, JACOBEAN STYLE.
(_The original in the Author's possession._)]
Public-domain text, read in full here on John Shaqi.
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