Illustrated History of Furniture, fifth ed.: From the Earliest to the Present TimeLitchfield, Frederick
History
Illustrated History of Furniture, fifth ed.: From the Earliest to the Present Time
Litchfield, Frederick
Furniture -- History
It is said that about 1670 Evelyn found Grinling Gibbons in a small
thatched house on the outskirts of Deptford, and introduced him to the
King, who gave him an appointment on the Board of Works, and patronised
him with extensive orders. The character of his carving is well known;
generally using lime-tree as the vehicle of his designs, his life-like
birds and flowers, groups of fruit, and heads of cherubs, are easily
recognised. One of the rooms in Windsor Castle is decorated with the work
of his chisel, which can also be seen in St. Paul's Cathedral, Hampton
Court Palace, Chatsworth, Burleigh, and perhaps his best, in Petworth
House, in Sussex. He also sculptured in stone. The base of King Charles'
statue at Windsor, the font of St. James', Piccadilly (round the base
of which are figures of Adam and Eve), are his work, as is also the
lime-tree border of festoon work over the Communion table. Gibbons was an
Englishman, but appears to have spent his boyhood in Holland, where he was
christened "Grinling." He died in 1721. His pupils were Samuel Watson, a
Derbyshire man, who did much of the carved work at Chatsworth, Drevot of
Brussels, and Lawreans of Mechlin. Gibbons and his pupils founded a school
of carving in England which has been continued by tradition to the present
day.
[Illustration: SILVER FURNITURE AT KNOLE.
(_From a Photo by Mr. Corke, of Sevenoaks._)]
A somewhat important immigration of French workmen occurred about this
time, owing to the persecutions of Protestants in France, which followed
the revocation of the Edict of Nantes in 1685, by Louis XIV., and these
refugees bringing with them their skill, their patterns and ideas,
influenced the carving of our ornamental frames, and the designs of some
of our furniture. This influence is to be traced in some of the contents
of Hampton Court Palace, particularly in the carved and gilt centre
tables and the _torchères_ of French design but of English workmanship.
It is said that no less than 50,000 families left France, some thousands
of whom belonged to the industrial classes, and settled in England and
Germany, where their descendants still remain. They introduced the
manufacture of crystal chandeliers, and founded our Spitalfields silk
industry, and other trades till then little practised in England.
Public-domain text, read in full here on John Shaqi.
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