Illustrated History of Furniture, fifth ed.: From the Earliest to the Present TimeLitchfield, Frederick
History
Illustrated History of Furniture, fifth ed.: From the Earliest to the Present Time
Litchfield, Frederick
Furniture -- History
CHINESE FURNITURE: Probable source of artistic taste--Sir William
Chambers quoted--Racinet's "Le Costume Historique"--Dutch
Influence--The South Kensington and the late Duke of Edinburgh
Collections--Processes of making Lacquer--Screens in the Kensington
Museum. JAPANESE FURNITURE: Early History--Sir Rutherford Alcock and
Lord Elgin--The Collection of the Shôgun--Famous Collections--Action
of the present Government of Japan--Special characteristics.
INDIAN FURNITURE: Early European influence--Furniture of the
Moguls--Racinet's Work--Bombay Furniture--Ivory Chairs and
Tables--Specimens in the India Museum. PERSIAN WOODWORK: Collection
of Objets d'Art formed by General Murdoch Smith, R.E.--Industrial
Arts of the Persians--Arab influence--South Kensington Specimens.
SARACENIC WOODWORK: Oriental customs--Specimens in the South
Kensington Museum of Arab Work--M. d'Aveune's Work.
CHINESE AND JAPANESE FURNITURE.
We have been unable to discover when the Chinese first began to use
state or domestic furniture. Whether, like the ancient Assyrians and
Egyptians, there was an early civilization which included the arts of
joining, carving, and upholstering, we do not know; most probably there
was; and from the plaster casts which one sees in our Indian Museum, of
the ornamental stone gateways of Sanchi Tope, in Bhopal, Central India, it
would appear that, in the early part of our Christian era, the carvings
in wood of their neighbours and co-religionists, the Hindoos, represented
figures of men and animals in the woodwork of sacred buildings or palaces.
The marvellous dexterity in manipulating wood, ivory and stone which we
recognize in the Chinese of to-day, is probably inherited from their early
ancestors.
Sir William Chambers travelled in China in the early part of the
eighteenth century. It was he who introduced "the Chinese style" into
furniture and decoration, which was adopted by Chippendale and other
makers, as will be noticed in the chapter dealing with that period of
English furniture. He gives us the following description of the furniture
he found in "The Flowery Land."
Public-domain text, read in full here on John Shaqi.
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