The late Duke of Saxe-Coburg had several fine specimens of Chinese and Japanese lacquer work in his collection, about the arrangement of which the writer had the honour of advising His Royal Highness, when it arrived some years ago at Clarence House. The earliest specimen is a reading desk, presented to him by the Mikado, with a slope for a book, much resembling an ordinary bookrest, but charmingly decorated with lacquer in landscape subjects on the flat surfaces, while the smaller parts are diapered with flowers and quatrefoils in relief of lac and gold. This is of the sixteenth century. The collections of the Earl of Elgin and Kincardine, Sir Rutherford Alcock, K.C.B., Mr. Salting, Viscount Gough, and other well-known amateurs, contain some excellent examples of the best periods of Japanese Art work of the seventeenth and eighteenth centuries. The grotesque carving of the wonderful dragons and marvellous monsters introduced into furniture made by the Chinese and Japanese, and especially in the ornamental woodwork of the Old Temples, is thoroughly peculiar to those masters of elaborate design and skilful manipulation: and the low rate of remuneration, compared with our European notions of wages, enables work to be produced that would be impracticable under any other conditions. In comparing the ornamentation on Chinese with that of Japanese furniture, it may be said that more eccentricity is effected by the latter than by the former in their designs and general decoration. The Japanese joiner is unsurpassed, and much of the lattice work, admirable in design and workmanship, is so quaint and intricate that only by close examination can it be distinguished from finely cut fret work. INDIAN FURNITURE. European influence upon Indian Art and manufactures has been of long duration. It was first exercised by the Portuguese and Dutch in the early days of the United East India Company, afterwards by the French, who established a trading company there in 1664, and lastly by the English, the first charter of the old East India Company dating as far back as 1600. Thus European taste dominated almost everything of an ornamental character until it became difficult to find a decorative article the design of which did not in some way or other shew the predominance of European influence over native conception. Therefore it becomes important to ascertain what kind of furniture, limited as it was, existed in India during the period of the Mogul Empire, which lasted from 1505 to 1739, when the invasion of the Persians under Kouli Khan destroyed the power of the Moguls. The country formerly subject to them was then divided among sundry petty princes.