Illustrated History of Furniture: From the Earliest to the Present TimeLitchfield, Frederick
History
Illustrated History of Furniture: From the Earliest to the Present Time
Litchfield, Frederick
Furniture -- History
PALACE OF VERSAILLES: "Grand" and "Petit Trianon"--the three Styles of
Louis XIV., XV. and XVI.--Colbert and Lebrun--André Charles Boule and
his Work--Carved and Gilt Furniture--The Regency and its
Influence--Alteration in Condition of French Society--Watteau, Lancret,
and Boucher. Louis XV. FURNITURE: Famous Ebenistes--Vernis Martin
Furniture--Caffieri and Gouthière Mountings--Sêvres Porcelain
introduced into Cabinets--Gobelins Tapestry--The "Bureau du Roi." Louis
XVI. AND MARIE ANTOINETTE: The Queen's Influence--The Painters Chardin
and Greuze--More simple Designs--Characteristic Ornaments of Louis XVI.
Furniture--Riesener's Work--Gouthière's Mountings--Specimens in the
Louvre--The Hamilton Palace Sale--French influence upon the design of
Furniture in other countries--The Jones Collection--Extract from the
"Times."
[Illustration]
There is something so distinct in the development of taste in furniture,
marked out by the three styles to which the three monarchs have given the
names of "Louis Quatorze," "Louis Quinze," and "Louis Seize," that it
affords a fitting point for a new departure.
This will be evident to anyone who will visit, first the Palace of
Versailles,[13] then the Grand Trianon, and afterwards the Petit Trianon.
By the help of a few illustrations, such a visit in the order given would
greatly interest anyone having a smattering of knowledge of the
characteristic ornaments of these different periods. A careful examination
would demonstrate how the one style gradually merged into that of its
successor. Thus the massiveness and grandeur of the best Louis Quatorze
_meubles de luxe_, became, in its later development, too ornate and
effeminate, with an elaboration of enrichment, culminating in the rococo
style of Louis Quinze.
Then we find, in the "Petit Trianon," and also in the Chateau of
Fontainebleau, the purer taste of Marie Antoinette dominating the Art
productions of her time, which reached their zenith, with regard to
furniture, in the production of such elegant and costly examples as have
been preserved to us in the beautiful work-table and secretaire--sold some
years since at the dispersion of the Hamilton Palace collection--and in
some other specimens, which may be seen in the Musée du Louvre, in the
Jones Collection in the South Kensington Museum, and in other public and
private collections: of these several illustrations are given.
Public-domain text, read in full here on John Shaqi.
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