Illustrated History of Furniture: From the Earliest to the Present TimeLitchfield, Frederick
History
Illustrated History of Furniture: From the Earliest to the Present Time
Litchfield, Frederick
Furniture -- History
There is evidence of the want of interest in the subject of furniture in
the auctioneers' catalogues of the day. By the courtesy of Messrs.
Christie and Manson, the writer has had access to the records of this old
firm, and two or three instances of sales of furniture may be given. While
the catalogues of the Picture sales of 1830-40 were printed on paper of
quarto size, and the subjects described at length, those of "Furniture"
are of the old-fashioned small octavo size, resembling the catalogue of a
small country auctioneer of the present day, and the printed descriptions
rarely exceed a single line. The prices very rarely amount to more than
£10; the whole proceeds of a day's sale were often less than £100, and
sometimes did not reach £50. At the sale of "Rosslyn House," Hampstead, in
1830, a mansion of considerable importance, the highest-priced article was
"A capital maghogany pedestal sideboard, with hot closet, cellaret, 2
plate drawers, and fluted legs," which brought £32. At the sale of the
property of "A man of Fashion," "a marqueterie cabinet, inlaid with
trophies, the panels of Sêvres china, mounted in ormolu," sold for
twenty-five guineas; and a "Reisener (_sic_) table, beautifully inlaid
with flowers, and drawers," which appears to have been reserved at nine
guineas, was bought in at eight-and-a-half guineas. Frequenters of
Christie's of the present day who have seen such furniture realize as many
pounds as the shillings included in such sums, will appreciate the
enormously increased value of really good old French furniture.
Perhaps the most noticeable comparison between the present day and that of
half-a-century ago may be made in reading through the prices of the great
sale at Stowe House, in 1848, when the financial difficulties of the Duke
of Buckingham caused the sale by auction which lasted thirty-seven days,
and realised upwards of £71,000, the proceeds of the furniture amounting
to £27,152. We have seen in the notice of French furniture that armoires
by Boule have, during the past few years, brought from £4,000 to £6,000
each under the hammer, and the want of appreciation of this work, probably
the most artistic ever produced by designer and craftsman, is sufficiently
exemplified by the statement that at the Stowe sale two of Boule's famous
armoires, of similar proportions to those in the Hamilton Palace and Jones
Collections, were sold for £21 and £19 8s. 6d. respectively.
Public-domain text, read in full here on John Shaqi.
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