Many other societies, guilds, and art schools have been established with more or less success, with the view of improving the design and manufacture of furniture, and providing suitable models for our young wood carvers to copy. The Ellesmere Cabinet (illustrated) was one of the productions of the "Home Arts and Industries Association," founded by the late Lady Marian Alford in 1883, a well known connoisseur and Art patron. It will be seen that this is virtually a Jacobean design. In the earlier chapters of this book, it has been observed that as Architecture became a settled Art or Science, it was accompanied by a corresponding development in the design of the room and its furniture, under, as it were, one impulse of design, and this appropriate concord may be said to have obtained in England until nearly the middle of the present century, when, after the artificial Greek style in furniture and woodwork which had been attempted by Wilkins, Soane, and other contemporary architects, had fallen into disfavour, there was first a reaction, and then an interregnum, as has been noticed in the previous chapter. The Great Exhibition marked a fresh departure, and quickened, as we have seen, industrial enterprise in this country; and though, upon the whole, good results have been produced by the impetus given by these international competitions, they have not been exempt from unfavorable accompaniments. One of these was the eager desire for novelty, without the necessary judgment to discriminate between good and bad. For a time, nothing satisfied the purchaser of so-called "artistic" products, whether of decorative furniture, carpets, curtains or merely ornamental articles, unless the design was "new." The natural result was the production either of heavy and ugly, or flimsy and inappropriate furniture, which has been condemned by every writer on the subject. In some of the designs selected from the exhibits of '51 this desire to leave the beaten track of conventionality will be evident: and for a considerable time after the exhibition there is to be seen in our designs, the result of too many opportunities for imitation, acting upon minds insufficiently trained to exercise careful judgment and selection. [Illustration: The Ellesmere Cabinet, In the Collection of the late Lady Marian Alford.]