Illustrated History of Furniture: From the Earliest to the Present TimeLitchfield, Frederick
History
Illustrated History of Furniture: From the Earliest to the Present Time
Litchfield, Frederick
Furniture -- History
The residence of Charles II. abroad, had accustomed him and his friends to
the much more luxurious furniture of France and Holland. With the
Restoration came a foreign Queen, a foreign Court, French manners, and
French literature. Cabinets, chairs, tables, and couches, were imported
into England from the Netherlands, France, Spain, and Portugal; and our
craftsmen profited by new ideas and new patterns, and what was of equal
consequence, an increased demand for decorative articles of furniture. The
King of Portugal had ceded Bombay, one of the Portuguese Indian stations,
to the new Queen, and there is a chair of this Indo-Portuguese work,
carved in ebony, now in the museum at Oxford, which was given by Charles
II. either to Elias Ashmole or to Evelyn: the illustration on the next
page shews all the details of the carving. Another woodcut, on a smaller
scale, represents a similar chair grouped with a settee of a like design,
together with a small folding chair which Mr. G.T. Robinson, in his
article on "Seats," has described as Italian, but which we take the
liberty of pronouncing Flemish, judging by one now in the South Kensington
Museum.
In connection with this Indo-Portuguese furniture, it would seem that
spiral turning became known and fashionable in England during the reign of
Charles II., and in some chairs of English make, which have come under the
writer's notice, the legs have been carved to imitate the effect of spiral
turning--an amount of superfluous labour which would scarcely have been
incurred, but for the fact that the country house-carpenter of this time
had an imported model, which he copied, without knowing how to produce by
the lathe the effect which had just come into fashion. There are, too, in
some illustrations in "Shaw's Ancient Furniture," some lamp-holders, in
which this spiral turning is overdone, as is generally the case when any
particular kind of ornament comes into vogue.
[Illustration: Settee And Chair. In carved ebony, part of Indo-Portuguese
suite at Penshurst Place, with Flemish folding chair. Period: Charles II.]
[Illustration: Carved Ebony Chair of Indo-portuguese Work, Given by
Charles II. to Elias Ashmole, Esq. (_In the Museum at Oxford_).]
Probably the illustrated suite of furniture at Penshurst Place, which
comprises thirteen pieces, was imported about this time; two of the
smaller chairs appear to have their original cushions, the others have
been lately re-covered by Lord de l'Isle and Dudley. The spindles of the
backs of two of the chairs are of ivory: the carving, which is in solid
ebony, is much finer on some than on others.
Public-domain text, read in full here on John Shaqi.
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