Illustrations of political economy, Volume 7 (of 9)Martineau, Harriet
General
Illustrations of political economy, Volume 7 (of 9)
Martineau, Harriet
Didactic fiction, English; Political fiction, English; Social problems -- Fiction
softened by distance, into a not unpleasing music. Effie’s mind and
heart joined in this music more than her uncle would readily have
believed. She invariably laid aside amusements and light thoughts when
it reached her; and sympathized all the better in the devotions of the
company from their psalms being stripped by distance of all that
appeared to her harsh and unduly familiar in their sentiments and
language. She now instantly arose, leaving the worm to find its way back
to its covert; but—straight before her—stood a man, peeping at her
through the hedge. He ducked, the moment he saw that he was observed,
and she could get no answer to her questions and remarks—“What do you
want?—If you are looking for the ferry, it is just below, to your right
hand.—If you want our people, you had better come round to the gate.”
She retreated towards the house, to shelter herself under the sounds
that issued thence. She had no fear for her safety while in such
neighbourhood; but she pondered the probability of the garden being
robbed. There was little in it at present worth removal; but she thought
she should do what she had done before when left in the guardianship of
her husband’s goods—sit up in the star-light, and look out upon the
garden, till her uncle, who was an early riser, should be heard stirring
in the morning. This measure she presently decided upon; and the
decision brought in so many thoughts of chill, and drowsiness, and
startings, and nervous fancies,—with all of which her watchings had made
her well acquainted,—that when she went back to the arbour for her work
and implements, she snatched them up as if a thief had been in hiding
there, and fled home as if he were following at her heels.
Uncle Christopher had just left the house with his guests, in order to
ferry them over to their own bank of the river. Before putting the
circle of chairs in their places, and depositing the hymn-book on its
shelf, Effie closed and locked both doors of the dwelling. She had not
been seated at her work a minute before there was a tap, and then a push
at the door which opened into the garden.
“Who is there?”
“Effie, Effie, let me in!” said a low voice which thrilled through her.
For the first time since her childhood, a superstitious terror seized
her; and she sat staring, and neither spoke nor moved.
The lattice was not quite fastened, and she saw it open, and a face
appear within it which produced the same effect upon her as the voice
had done.
“O, are ye Cuddie, or are ye not?” cried she, shading her eyes from the
candlelight, and gazing intently.
“Yes, I am Cuddie,” said he mournfully, as he entered by the lattice.
“But it is hard to believe you are Effie, so unwilling to let your own
brother into your own house.”
This was said,—not like the Cuddie of old, but so like her mother, that
Effie no longer doubted.
Public-domain text, read in full here on John Shaqi.
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