Illustrations of political economy, Volume 7 (of 9)Martineau, Harriet
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Illustrations of political economy, Volume 7 (of 9)
Martineau, Harriet
Didactic fiction, English; Political fiction, English; Social problems -- Fiction
The brief twilight of the tropics had just sped away before the shadows
of night over the seas which gird Ceylon, when a raft, stealing along
the quiet expanse before the breath of the night-wind, approached the
spot beneath which lay one of the chank beds that enrich the northwest
coast of the island. The situation of the bed was marked by the constant
presence of a boat, placed there by the lessees of the chank bed to
guard its treasures from pilferers. These chanks, or conch-shells, are a
very tempting object of theft to the natives, not only as ornaments for
their own persons, but as being in constant demand for the same purpose,
and for burial with the distinguished dead, throughout the whole
neighbouring continent of India. Sawn into rings, they deck the wrists,
ancles, and fingers of many thousand dark beauties who care as little
whether they are obtained by filching or by lawful fishing, as some
fairer belles inquire whether their articles of luxury are smuggled or
legally imported. Great precautions are therefore necessary to preserve
the property of the chank monopolists; and the best of these precautions
are often useless. In the present case, the guard-boat might as well
have been empty, for any opposition that it offered to the approach of
the raft. The guard were probably asleep, or they would have perceived
it at the moment that the moon lifted her horn above the eastern wave,
spreading a sheet of light over the still expanse. At that moment, the
two dusky figures which had been standing erect and silent beside the
mast of the raft, began to move, though not to speak. Marana pointed to
the golden light which was just appearing, and Rayo, understanding her
sign, proceeded to lower the sail of matting, (which might become
conspicuous in the moonlight,) and to dislodge the mast. Both figures
then lay down beside it, so that the raft might have appeared, even to
close observation, to be no more than a piece of drifting wood, but for
the gleams sent forth from the precious stones with which Marana’s
silver hair-pins were set, and for the ripple of Rayo’s paddle, which he
contrived to ply as he lay. The critical moment must be when he plunged,
as there were no sea sounds amidst which the splash might be lost. All
was as quiet as a lake. The guard-boat was no cradle to those who slept
within it, for it kept its place as if it had been fixed in the sand of
the beach. The black points of rock which rose above the surface at a
distance towards the land were reflected with perfect fidelity, instead
of in fluctuating lines of shadow. Marana dreaded the plunge for her
lover, and fearfully watched to see dark figures rise up in the
guard-boat while the circles were yet spreading, and breaking the
moonlight to shivers on the surface. No foe appeared, however; and
Marana was at liberty for new fears. There were enemies in the green
depths below more formidable than any to the right hand or the left. It
Public-domain text, read in full here on John Shaqi.
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