Illustrations of Shakspeare, and of Ancient Manners:: with Dissertations on the Clowns and Fools of Shakspeare; on a Collection of Popular Tales Entitled Gesta Romanorum; and on the English Morris dance.Douce, Francis
History
Illustrations of Shakspeare, and of Ancient Manners:: with Dissertations on the Clowns and Fools of Shakspeare; on a Collection of Popular Tales Entitled Gesta Romanorum; and on the English Morris dance.
Douce, Francis
Clowns -- England -- History -- 16th century; Clowns in literature; Exempla in literature; Fools and jesters -- England -- History -- 16th century; Fools and jesters in literature; Gesta Romanorum; Manners and customs in literature; Morris dance; Shakespeare, William, 1564-1616 -- Characters -- Clow
If, as Mr. Steevens observes, the advocates for Shakspeare's learning,
on a presumption that he might have been acquainted with the Roman
_flammeum_, or seen the celebrated gem of the marriage of Cupid
and Psyche, had applauded the choice of his epithet, it is certain
they would have shown very little skill or critical judgment on the
occasion. By _wimpled_, Shakspeare means no more than that Cupid was
hood-winked, alluding to the usual representation in paintings where he
is exhibited with a bandage over his eyes. It may be observed here that
the blindness of the God of love is not warranted by the authority of
any ancient classic author, but appears to have been the invention of
some writer of the middle ages; not improbably Boccaccio, who in his
_Genealogy of the Gods_ gives the following account: "Oculos autem illi
fascia tegunt, ut advertamus amantes ignorare quo tendant; nulla eorum
esse indicia, nullæ rerum distinctiones, sed sola passione duci."--Lib.
ix. c. 4.
The oldest English writer who has noticed the blindness of love is
Chaucer, in his translation of the _Roman de la rose_:
"The God of love, _blind as stone_."
But this line is not in the French original. Shakspeare himself has
well accounted for Cupid's blindness:
"Love looks not with the eyes, but with the mind,
And therefore is wing'd Cupid painted blind."
_M. N. Dream_, Act I. Scene 1.
SCENE 1. Page 240.
BIRON. And I to be a corporal of the field.
Dr. Farmer's quotation of the line from Ben Jonson, "As corporal of
the field, maestro del campo," has the appearance, without perhaps
the intention, of suggesting that these officers were the same:
this, however, was not the fact. In Styward's _Pathway to martiall
discipline_, 1581, 4to, there is a chapter on the office of _maister
of the campe_, and another on _the electing and office of the foure
corporalls of the fields_; from which it appears that "two of the
latter were appointed for placing and ordering of shot, and the other
two for embattailing of the pikes and billes, who according to their
worthinesse, if death hapneth, are to succeede the great sergeant or
sergeant major."
SCENE 1. Page 241.
BIRON. ... like a _German clock_.
Such part of Mr. Steevens's note as relates to the invention of clocks
may, in a future edition, be rendered more correct by consulting
Beckman's _History of inventions_. It is certain that we had clocks in
England before the reign of Elizabeth; but they were not in general
use till that time, when most, if not all, of them were imported from
Germany. These clocks resembled what are still made for the use of the
lower classes of people by several ingenious Germans established in
London.
SCENE 1. Page 242.
BIRON. Some men must love my lady, and some Joan.
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