she carried her knitting, when not wanted in kitchen or parlour. She
thought she must leave off knitting, as her mother could do all that was
now required. Nobody seemed to wear knitted smallclothes or petticoats
in London, nor even shawls. If it was really true that she must no
longer make her father’s and Aaron’s coats, she feared she should want
occupation: but it was difficult to credit that in a fine country like
England the men would condescend to such womanish work as tailoring. She
had no doubt she should find this to be a joke upon her, as a new comer.
She had, indeed, seen a young man sitting upon a table, and doing
tailor’s work; but he was very small and pale, and most likely permitted
to do this because he was fit for nothing else.
While deep in thought over her work, she was planning how to make her
mother more comfortable than she could possibly be at present. Mrs. Le
Brocq could not live without apples, and was very much discomposed at
having to purchase them; and when she went to the shop, or stepped out
after a fruit-woman in the street, the neighbours invariably followed to
stare at her costume. The butcher had given out that the new family were
preciously stingy people, eating meat only once or twice a week, which
was a sin and shame in the owners of a pottery. Mr. Studley cast a look
of disgust at her, the only time he had entered the house,—which
happened precisely at the moment when the dinner of lard and cabbage
soup was being served up. If Mrs. Le Brocq could not be made more
popular in the neighbourhood, it was to be feared that the possession of
a pottery would not insure perfect happiness to the family.
How different from Studley had been another visitor who entered at a
similar important point of time! “A gentleman,” who did not declare his
name, called to speak to Mr. Le Brocq, a few days after his arrival, and
walked in, as a matter of course, without waiting to hear whether the
person he sought was at home. He uttered a cry of delight at the
spectacle of the soup, and kissed Mrs. Le Brocq and her daughter, in
sign of being a countryman. Before he could be asked, he drew a chair,
rubbed his hands, and sang a verse of a song in the French of the
island,—the language which it refreshed their ears to hear. He had not
done when Le Brocq came in, expecting to find a customer for his
stoneware rather than his dinner.
“Ha! countryman!” cried the stranger. “Don’t try to remember me. For my
own sake, don’t try to remember me. There’s no use in looking back too
far, when all is done; but I could not slink away when once I had seen
the hem of your wife’s Jersey petticoat. My name is Durell: there is no
occasion to remind us all that you have heard it before.”
Public-domain text, read in full here on John Shaqi.
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