Illustrations of the author of Waverley : $b being notices and anecdotes of real characters, scenes, and incidents supposed to be described in his worksChambers, Robert
History
Illustrations of the author of Waverley : $b being notices and anecdotes of real characters, scenes, and incidents supposed to be described in his works
Chambers, Robert
Scotland -- In literature; Scott, Walter, 1771-1832
[15] H—— died in the month of May, 1808, and was buried on the
Edinburgh fast-day of that year. He was interred in the Calton Hill
burying-ground; but his grave cannot now be pointed out, as the spot
was removed in 1816, along with about half of the ground, when the
great London road was brought through it.
[16] He died January 2, 1820.
CHAPTER III.
=The Antiquary.=
ANDREW GEMMELS.
(_Edie Ochiltree._)
ANDREW GEMMELS or GEMBLE, a wandering _blue-gown_ of the south of
Scotland, is supposed to have been the _original_ of Edie Ochiltree.
The latter, as represented in the novel, bears, it is true, a much more
amiable aspect, and exhibits greater elevation of character, than the
rude old soldier in whom the public has recognised his prototype. Yet,
as we believe there exists a considerable degree of resemblance between
them, a sketch of old Andrew, who was a very singular personage, will
not prove unsatisfactory.
Andrew Gemmels was well known over all the Border districts as a
wandering beggar, or _gaberlunzie_, for the greater part of half a
century. He had been a soldier in his youth; and the entertaining
stories which he told of his campaigns, and the adventures he had
encountered in foreign countries, united with his shrewdness, drollery,
and other agreeable qualities, rendered him a general favourite, and
secured him a cordial welcome and free quarters at every shepherd’s cot
or farm-steading that lay in the range of his extensive wanderings.
He kept a horse in his latter days; and, so doing, set the proverb at
naught. On arriving at a place of call, he usually put up his horse
in some stable or outhouse, without the ceremony of asking his host’s
permission, and then came into the house, where he stamped and swore
till room was made for him at the fireside. Andrew was not like those
degenerate modern beggars, who implore a coin as for God’s sake, and
shelter themselves in the first hole they can find open to receive
them,—but ordered and commanded, like the master himself, and only
accepted of his alms by way of obliging his friends. He presumed even
to choose his own bed, and was not pleased unless the utmost attention
was shown to his comfort. He preferred sleeping in an outhouse, and, if
possible, in any place where horses and cattle were kept. The reasons
he might be supposed to have for such a preference are obvious. In an
outhouse he was less exposed in undressing to the curious eyes of the
people, who always suspected him of having treasure concealed in his
clothes; and the company of the animals beneath his bed was preferable
to utter solitude, and, moreover, tended to keep the premises
comfortably warm. He used such art in the matters of his toilette that
no person ever saw him undressed, or made any discovery prejudicial to
his character of poverty.
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