Illustrations of the author of Waverley : $b being notices and anecdotes of real characters, scenes, and incidents supposed to be described in his worksChambers, Robert
History
Illustrations of the author of Waverley : $b being notices and anecdotes of real characters, scenes, and incidents supposed to be described in his works
Chambers, Robert
Scotland -- In literature; Scott, Walter, 1771-1832
It was a curious trait in the character of David Ritchie, that he was
very superstitious. Not only had he planted his house, his garden, and
even his intended grave, all round with the mountain-ash, but it is
also well authenticated that he never went abroad without a branch of
this singular antidote, tied round with a _red thread_, in his pocket,
to prevent the effects of the _evil eye_. When the _sancta sanctorum_
of his domicile were so sacrilegiously ransacked after his death, there
was found an elf-stone, or small round pebble, bored in the centre,
hung by a cord of hair passed through the hole to the head of his bed!
After taking the foregoing view of the Wizard’s fairy bower, I was
next conducted to his grave, which lies in the immediate vicinity. A
slip of his favourite rowan-tree marked the spot. It had been planted
several years after his death by some kindly hand, and, in the absence
of a less perishable monument, seemed a wonderful act of delicacy
and attention. It spoke a pathos to the feelings that the finest
inscription could not have excited,—it was so consonant with the
former desires of “the poor inhabitant below!”
In allusion to the foregoing circumstances, the following verses were
composed, and inserted in a periodical publication:—
I sat upon the Wizard’s grave,—
’Twas on a smiling summer day,
When all around the desert spot
Bloomed in the young delights of May.
In undistinguished lowliness
I found the little mound of earth,
And bitter weeds o’ergrew the place,
As if his heart had given them birth,
And they from thence their nurture drew,—
In such luxuriancy they grew.
No friendship to his grave had lent
Such rudely-sculptured monument
As marked the peasant’s place of rest;
For he, the latest of his race,
Had left behind no friend to trace
Such frail memorial o’er his breast.
But o’er his head a sapling waved
The honours of its slender form,
And in its loneliness had braved
The autumn’s blast—the winter’s storm.
Some friendly hand the tribute gave,
To mark the undistinguished grave,
That, drooping o’er that sod, it might
Repay a world’s neglectful scorn,
And, catching sorrow from the night,
There weep a thousand tears at morn.
It was an emblem of himself—
A widowed, solitary thing,
To which no circling season might
An hour of greener gladness bring;
A churchyard desert was its doom,
Its parent soil a darkling tomb;
Such was the Solitary’s fate,
So joyless and so desolate;
For, blasted soon as it was given,
His was the life that knew no hope,
His was the soul that knew no heaven—
Then, stranger, by one pitying drop,
Forgive, forgive the Misanthrope!
FOOTNOTES:
Public-domain text, read in full here on John Shaqi.
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