Illustrations of the manners, customs, & condition of the North American Indians, Vol. 1 (of 2): With letters and notes, written during eight years of travel and adventure among the wildest and most remarkable tribes now existingCatlin, George
History
Illustrations of the manners, customs, & condition of the North American Indians, Vol. 1 (of 2): With letters and notes, written during eight years of travel and adventure among the wildest and most remarkable tribes now existing
Catlin, George
Indians of North America
This curtailing of the natural existence, for the purpose of
instilling life into the secondary one, they decided to be an useless
and destructive operation, and one which was calculated to do great
mischief in their happy community; and they commenced a mournful and
doleful chaunt against me, crying and weeping bitterly through the
village, proclaiming me a most “dangerous man; one who could make
living persons by looking at them; and at the same time, could, as
a matter of course, destroy life in the same way, if I chose. That
my medicine was dangerous to their lives, and that I must leave the
village immediately. That bad luck would happen to those whom I
painted—that I was to take a part of the existence of those whom I
painted, and carry it home with me amongst the white people, and that
when they died they would never sleep quiet in their graves.”
In this way the women and some old quack medicine-men together,
had succeeded in raising an opposition against me; and the reasons
they assigned were so plausible and so exactly suited for their
superstitious feelings, that they completely succeeded in exciting
fears and a general panic in the minds of a number of chiefs who had
agreed to sit for their portraits, and my operations were, of course,
for several days completely at a stand. A grave council was held on
the subject from day to day, and there seemed great difficulty in
deciding what was to be done with me and the dangerous art which I was
practicing; and which had far exceeded their original expectations.
I finally got admittance to their sacred conclave, and assured them
that I was but a man like themselves,—that my art had no _medicine_ or
mystery about it, but could be learned by any of them if they would
practice it as long as I had—that my intentions towards them were of
the most friendly kind, and that in the country where I lived, brave
men never allowed their squaws to frighten them with their foolish
whims and stories. They all immediately arose, shook me by the hand,
and dressed themselves for their pictures. After this, there was no
further difficulty about sitting; all were ready to be painted,—the
squaws were silent, and my painting-room a continual resort for the
chiefs, and braves, and medicine-men; where they waited with impatience
for the completion of each one’s picture,—that they could decide as to
the likeness as it came from under the brush; that they could laugh,
and yell, and sing a new song, and smoke a fresh pipe to the health and
success of him who had just been safely delivered from the hands and
the mystic operation of the “_white medicine_.”
Public-domain text, read in full here on John Shaqi.
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