Illustrations of the manners, customs, & condition of the North American Indians, Vol. 1 (of 2): With letters and notes, written during eight years of travel and adventure among the wildest and most remarkable tribes now existingCatlin, George
History
Illustrations of the manners, customs, & condition of the North American Indians, Vol. 1 (of 2): With letters and notes, written during eight years of travel and adventure among the wildest and most remarkable tribes now existing
Catlin, George
Indians of North America
Whilst I have been painting, from day to day, there have been two or
three of these fops continually strutting and taking their attitudes
in front of my door; decked out in all their finery, without receiving
other benefit or other information, than such as they could discover
through the cracks and seams of my cabin. The chiefs, I observed,
passed them by without notice, and of course, without inviting them
in; and they seemed to figure about my door from day to day in their
best dresses and best attitudes, as if in hopes that I would select
them as models, for my canvass. It was natural that I should do so,
for their costume and personal appearance was entirely more beautiful
than anything else to be seen in the village. My plans were laid,
and one day when I had got through with all of the head men, who
were willing to sit to be painted, and there were two or three of
the chiefs lounging in my room, I stepped to the door and tapped one
of these fellows on the shoulder, who took the hint, and stepped in,
well-pleased and delighted with the signal and honourable notice I had
at length taken of him and his beautiful dress. Readers, you cannot
imagine what was the expression of gratitude which beamed forth in
this poor fellow’s face, and how high his heart beat with joy and
pride at the idea of my selecting him to be immortal, alongside of the
chiefs and worthies whose portraits he saw arranged around the room;
and by which honour he, undoubtedly, considered himself well paid for
two or three weeks of regular painting, and greasing, and dressing,
and standing alternately on one leg and the other at the door of my
premises.
Well, I placed him before me, and a canvass on my easel, and “chalked
him out” at full length. He was truly a beautiful subject for the
brush, and I was filled with enthusiasm—his dress from head to foot was
of the skins of the mountain-goat, and dressed so neatly, that they
were almost as soft and as white as Canton crape—around the bottom and
the sides it was trimmed with ermine, and porcupine quills of beautiful
dyes garnished it in a hundred parts;—his hair which was long, and
spread over his back and shoulders, extending nearly to the ground, was
all combed back and parted on his forehead like that of a woman. He
was a tall and fine figure, with ease and grace in his movements, that
were well worthy of a man of better caste. In his left hand he held a
beautiful pipe—and in his right hand he plied his fan, and on his wrist
was still attached his whip of elk’s horn, and his fly-brush, made of
the buffalo’s tail. There was nought about him of the terrible, and
nought to shock the finest, chastest intellect.
Public-domain text, read in full here on John Shaqi.
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