Illustrations of the manners, customs, & condition of the North American Indians, Vol. 1 (of 2): With letters and notes, written during eight years of travel and adventure among the wildest and most remarkable tribes now existingCatlin, George
History
Illustrations of the manners, customs, & condition of the North American Indians, Vol. 1 (of 2): With letters and notes, written during eight years of travel and adventure among the wildest and most remarkable tribes now existing
Catlin, George
Indians of North America
In the last letter I gave an account of many of the weapons and
other manufactures of these wild folks; and as this has been a day
of _packing_ and _casing_ a great many of these things, which I have
obtained of the Indians, to add to my _Musée Indienne_, I will name a
few more, which I have just been handling over; some description of
which may be necessary for the reader in endeavouring to appreciate
some of their strange customs and amusements, which I am soon to
unfold. In +plate+ 101½, letters _a_ and _b_, will be seen the _quiver_
made of the fawn’s skin, and the Sioux _shield_ made of the skin of
the buffalo’s neck, hardened with the glue extracted from the hoofs
and joints of the same animal. The process of “_smoking the shield_”
is a very curious, as well as an important one, in their estimation.
For this purpose a young man about to construct him a shield, digs a
hole of two feet in depth, in the ground, and as large in diameter
as he designs to make his shield. In this he builds a fire, and over
it, a few inches higher than the ground, he stretches the raw hide
horizontally over the fire, with little pegs driven through holes made
near the edges of the skin. This skin is at first, twice as large as
the size of the required shield; but having got his particular and
best friends (who are invited on the occasion,) into a ring, to dance
and sing around it, and solicit the Great Spirit to instil into it the
power to protect him harmless against his enemies, he spreads over
it the glue, which is rubbed and dried in, as the skin is heated;
and a second busily drives other and other pegs, inside of those in
the ground, as they are gradually giving way and being pulled up
by the contraction of the skin. By this curious process, which is
most dexterously done, the skin is kept tight whilst it contracts to
one-half of its size, taking up the glue and increasing in thickness
until it is rendered as thick and hard as required (and his friends
have pleaded long enough to make it arrow, and almost ball proof), when
the dance ceases, and the fire is put out. When it is cooled and cut
into the shape that he desires, it is often painted with his _medicine_
or _totem_ upon it, the figure of an eagle, an owl, a buffalo or other
animal, as the case may be, which he trusts will guard and protect him
from harm; it is then fringed with eagles’ quills, or other ornaments
he may have chosen, and _slung_ with a broad leather strap that crosses
his breast. These shields are carried by all the warriors in these
regions, for their protection in battles, which are almost invariably
fought from their horses’ backs.
Public-domain text, read in full here on John Shaqi.
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