Illustrations of the manners, customs, & condition of the North American Indians, Vol. 1 (of 2): With letters and notes, written during eight years of travel and adventure among the wildest and most remarkable tribes now existingCatlin, George
History
Illustrations of the manners, customs, & condition of the North American Indians, Vol. 1 (of 2): With letters and notes, written during eight years of travel and adventure among the wildest and most remarkable tribes now existing
Catlin, George
Indians of North America
I am inclined to think, might, by some ingenious musician or musical
instrument-maker, be modulated and converted into something very
pleasing.
The _War-whistle_ (letter _h_,) is a well known and valued little
instrument, of six or nine inches in length, invariably made of
the bone of the deer or turkey’s leg, and generally ornamented with
porcupine quills of different colours which are wound around it. A
chief or leader carries this to battle with him, suspended generally
from his neck, and worn under his dress. This little instrument has
but two notes, which are produced by blowing in the ends of it. The
note produced in one end, being much more shrill than the other, gives
the signal for battle, whilst the other sounds a retreat; a thing that
is distinctly heard and understood by every man, even in the heat and
noise of battle, where all are barking and yelling as loud as possible,
and of course unable to hear the commands of their leader.
[Illustration: 102]
There is yet another wind instrument which I have added to my
Collection, and from its appearance would seem to have been borrowed,
in part, from the civilized world (letter _g_). This is what is often
on the frontier called a “_deer-skin flute_,” a “Winnebago courting
flute,” a “tsal-eet-quash-to,” &c.; it is perforated with holes for the
fingers, sometimes for six, at others for four, and in some instances
for three only, having only so many notes with their octaves. These
notes are very irregularly graduated, showing clearly that they have
very little taste or ear for melody. These instruments are blown in the
end, and the sound produced much on the principle of a whistle.
In the vicinity of the Upper Mississippi, I often and familiarly heard
this instrument, called the Winnebago courting flute; and was credibly
informed by traders and others in those regions, that the young men
of that tribe meet with signal success, oftentimes, in wooing their
sweethearts with its simple notes, which they blow for hours together,
and from day to day, from the bank of some stream—some favourite rock
or log on which they are seated, near to the wigwam which contains the
object of their tender passion; until her soul is touched, and she
responds by some welcome signal, that she is ready to repay the young
_Orpheus_ for his pains, with the gift of her hand and her heart. How
true these representations may have been made, I cannot say, but there
certainly must have been some ground for the present cognomen by which
it is known in that country.
From these rude and exceedingly defective instruments, it will at once
be seen, that music has made but little progress with these people; and
the same fact will be still more clearly proved, to those who have an
opportunity to hear their vocal exhibitions, which are daily and almost
hourly serenading the ears of the traveller through their country.
Public-domain text, read in full here on John Shaqi.
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