Illustrations of the manners, customs, & condition of the North American Indians, Vol. 1 (of 2): With letters and notes, written during eight years of travel and adventure among the wildest and most remarkable tribes now existingCatlin, George
History
Illustrations of the manners, customs, & condition of the North American Indians, Vol. 1 (of 2): With letters and notes, written during eight years of travel and adventure among the wildest and most remarkable tribes now existing
Catlin, George
Indians of North America
On ordinary occasions it is wound with a broad leather strap, from his
head to its extreme end, and then folded up into a budget or block, of
some ten or twelve inches in length, and of some pounds weight; which
when he walks is carried under his arm, or placed in his bosom, within
the folds of his robe; but on any great parade or similar occasion, his
pride is to unfold it, oil it with bear’s grease and let it drag behind
him, some three or four feet of it spread out upon the grass, and black
and shining like a raven’s wing.
It is a common custom amongst most of these upper tribes, to splice or
add on several lengths of hair, by fastening them with glue; probably
for the purpose of imitating the Crows, upon whom alone Nature has
bestowed this conspicuous and signal ornament.
Amongst the Crows of distinction now at this place, I have painted the
portraits of several, who exhibit some striking peculiarities. Amongst
whom is Chah-ee-chopes, the four wolves (+plate+ 24); a fine looking
fellow, six feet in stature, and whose natural hair sweeps the grass
as he walks; he is beautifully clad, and carries himself with the most
graceful and manly mien—he is in mourning for a brother; and according
to their custom, has cut off a number of locks of his long hair, which
is as much as a man can well spare of so valued an ornament, which he
has been for the greater part of his life cultivating; whilst a woman
who mourns for a husband or child, is obliged to crop her hair short to
her head, and so remain till it grows out again; ceasing gradually to
mourn as her hair approaches to its former length.
Duhk-pits-a-ho-shee, the red bear (+plate+ 26), a distinguished
warrior; and Oo-je-en-a-he-ha, the woman who lives in the bear’s den
(+plate+ 25). I have also painted Pa-ris-ka-roo-pa (two crows) the
younger (+plate+ 27), one of the most extraordinary men in the Crow
nation; not only for his looks, from the form of his head, which seems
to be distortion itself—and curtailed of all its fair proportions; but
from his extraordinary sagacity as a counsellor and orator, even at an
early stage of his life.
There is something very uncommon in this outline, and sets forth the
striking peculiarity of the Crow tribe, though rather in an exaggerated
form. The semi-lunar outline of the Crow head, with an exceedingly low
and retreating forehead, is certainly a very peculiar and striking
characteristic; and though not so strongly marked in most of the tribe
as in the present instance, is sufficient for their detection whenever
they are met; and will be subject for further comment in another place.
The Crow women (and Blackfeet also) are not handsome, and I shall at
present say but little of them. They are, like all other Indian
women, the slaves of their husbands: being obliged to perform all the
domestic duties and drudgeries of the tribe, and not allowed to join
in their religious rites or ceremonies, nor in the dance or other
amusements.
[Illustration: 24 25]
Public-domain text, read in full here on John Shaqi.
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