Illustrations of the manners, customs, & condition of the North American Indians, Vol. 2 (of 2): With letters and notes, written during eight years of travel and adventure among the wildest and most remarkable tribes now existingCatlin, George
History
Illustrations of the manners, customs, & condition of the North American Indians, Vol. 2 (of 2): With letters and notes, written during eight years of travel and adventure among the wildest and most remarkable tribes now existing
Catlin, George
Indians of North America
“Those whom I had painted, though evidently somewhat alarmed, were
unwilling to acknowledge it, and those whom I had not painted,
unwilling to be outdone in courage, allowed me the privilege; braving
and defying the danger that they were evidently more or less in dread
of. Feuds began to arise too, among some of the chiefs of the different
bands, who (not unlike some instances amongst the chiefs and warriors
of our own country), had looked upon their rival chiefs with unsleeping
jealousy, until it had grown into disrespect and enmity. An instance of
this kind presented itself at this critical juncture, in this assembly
of inflammable spirits, which changed in a moment, its features, from
the free and jocular garrulity of an Indian levee, to the frightful
yells and agitated treads and starts of an Indian battle! I had in
progress at this time a portrait of _Mah-to-tchee-ga_ (little bear);
of the _Onc-pa-pa band_, a noble fine fellow, who was sitting before
me as I was painting (+plate+ 273). I was painting almost a profile
view of his face, throwing a part of it into shadow, and had it nearly
finished, when an Indian by the name of _Shon-ka_ (the dog), chief
of the _Caz-a-zshee-ta_ band (+plate+ 275); an ill-natured and surly
man—despised by the chiefs of every other band, entered the wigwam in
a sullen mood, and seated himself on the floor in front of my sitter,
where he could have a full view of the picture in its operation. After
sitting a while with his arms folded, and his lips stiffly arched with
contempt; he sneeringly spoke thus:—
‘_Mah-to-tchee-ga_ is but _half a man_.’ * * * * * * “Dead silence
ensued for a moment, and nought was in motion save the eyes of the
chiefs, who were seated around the room, and darting their glances
about upon each other in listless anxiety to hear the sequel that was
to follow! During this interval, the eyes of Mah-to-tchee-ga had not
moved—his lips became slightly curved, and he pleasantly asked, in low
and steady accent, ‘Who says that?’ ‘_Shon-ka_ says it,’ was the reply;
‘and _Shon-ka_ can prove it.’ At this the eyes of Mah-to-tchee-ga,
which had not yet moved, began steadily to turn, and slow, as if upon
pivots, and when they were rolled out of their sockets till they had
fixed upon the object of their contempt; his dark and jutting brows
were shoving down in trembling contention, with the blazing rays that
were actually _burning_ with contempt, the object that was before them.
‘_Why_ does Shon-ka say it?’
“‘Ask _We-chash-a-wa-kon_ (the painter), he can tell you; he knows you
are but _half a man_—he has painted but one half of your face, and
knows the other half is good for nothing!’
[Illustration: 273]
[Illustration: 274]
[Illustration: 275]
“‘Let the _painter_ say it, and I will believe it; but when the Dog
says it let him _prove_ it.’
Public-domain text, read in full here on John Shaqi.
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