Illustrations of Universal Progress: A Series of DiscussionsSpencer, Herbert
Philosophy
Illustrations of Universal Progress: A Series of Discussions
Spencer, Herbert
Philosophy; Political science; Science
You have a taste for art. Weary of frivolous talk, you turn to the table,
and find that the book of engravings and the portfolio of photographs are
as flat as the conversation. You are fond of music. Yet the singing, good
as it is, you hear with utter indifference; and say "Thank you" with a
sense of being a profound hypocrite. Wholly at ease though you could be,
for your own part, you find that your sympathies will not let you. You see
young gentlemen feeling whether their ties are properly adjusted, looking
vacantly round, and considering what they shall do next. You see ladies
sitting disconsolately, waiting for some one to speak to them, and wishing
they had the wherewith to occupy their fingers. You see the hostess
standing about the doorway, keeping a factitious smile on her face, and
racking her brain to find the requisite nothings with which to greet her
guests as they enter. You see numberless traits of weariness and
embarrassment; and, if you have any fellow feeling, these cannot fail to
produce a feeling of discomfort. The disorder is catching; and do what you
will you cannot resist the general infection. You struggle against it; you
make spasmodic efforts to be lively; but none of your sallies or your good
stories do more than raise a simper or a forced laugh: intellect and
feeling are alike asphyxiated. And when, at length, yielding to your
disgust, you rush away, how great is the relief when you get into the fresh
air, and see the stars! How you "Thank God, that's over!" and half resolve
to avoid all such boredom for the future!
What, now, is the secret of this perpetual miscarriage and disappointment?
Does not the fault lie with all these needless adjuncts--these elaborate
dressings, these set forms, these expensive preparations, these many
devices and arrangements that imply trouble and raise expectation? Who that
has lived thirty years in the world has not discovered that Pleasure is
coy; and must not be too directly pursued, but must be caught unawares? An
air from a street-piano, heard while at work, will often gratify more than
the choicest music played at a concert by the most accomplished musicians.
A single good picture seen in a dealer's window, may give keener enjoyment
than a whole exhibition gone through with catalogue and pencil. By the time
we have got ready our elaborate apparatus by which to secure happiness, the
happiness is gone. It is too subtle to be contained in these receivers,
garnished with compliments, and fenced round with etiquette. The more we
multiply and complicate appliances, the more certain are we to drive it
away.
Public-domain text, read in full here on John Shaqi.
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