Imaginary Conversations and Poems: A SelectionLandor, Walter Savage
General
Imaginary Conversations and Poems: A Selection
Landor, Walter Savage
Imaginary conversations; Poetry
_Leontion._ But those feathers, Ternissa, what god's may they be?
since you will not pick them up, nor restore them to Calaeis nor to
Zethes.
_Ternissa._ I do not think they belong to any god whatever; and shall
never be persuaded of it unless Epicurus says it is so.
_Leontion._ O unbelieving creature! do you reason against the
immortals?
_Ternissa._ It was yourself who doubted, or appeared to doubt, the
flight of Oreithyia. By admitting too much we endanger our religion.
Beside, I think I discern some upright stakes at equal distances, and
am pretty sure the feathers are tied to them by long strings.
_Epicurus._ You have guessed the truth.
_Ternissa._ Of what use are they there?
_Epicurus._ If you have ever seen the foot of a statue broken off just
below the ankle, you have then, Leontion and Ternissa, seen the form
of the ground about us. The lower extremities of it are divided into
small ridges, as you will perceive if you look around; and these are
covered with corn, olives, and vines. At the upper part, where
cultivation ceases, and where those sheep and goats are grazing,
begins my purchase. The ground rises gradually unto near the summit,
where it grows somewhat steep, and terminates in a precipice. Across
the middle I have traced a line, denoted by those feathers, from one
dingle to the other; the two terminations of my intended garden. The
distance is nearly a thousand paces, and the path, perfectly on a
level, will be two paces broad, so that I may walk between you; but
another could not join us conveniently. From this there will be
several circuitous and spiral, leading by the easiest ascent to the
summit; and several more, to the road along the cultivation
underneath: here will, however, be but one entrance. Among the
projecting fragments and the massive stones yet standing of the
boundary-wall, which old pomegranates imperfectly defend, and which my
neighbour has guarded more effectively against invasion, there are
hillocks of crumbling mould, covered in some places with a variety of
moss; in others are elevated tufts, or dim labyrinths of eglantine.
_Ternissa._ Where will you place the statues? for undoubtedly you must
have some.
_Epicurus._ I will have some models for statues. Pygmalion prayed the
gods to give life to the image he adored: I will not pray them to give
marble to mine. Never may I lay my wet cheek upon the foot under which
is inscribed the name of Leontion or Ternissa!
_Leontion._ Do not make us melancholy; never let us think that the
time can come when we shall lose our friends. Glory, literature,
philosophy have this advantage over friendship: remove one object from
them, and others fill the void; remove one from friendship, one only,
and not the earth nor the universality of worlds, no, nor the
intellect that soars above and comprehends them, can replace it!
_Epicurus._ Dear Leontion! always amiable, always graceful! How lovely
do you now appear to me! what beauteous action accompanied your words!
Public-domain text, read in full here on John Shaqi.
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