Imaginary Conversations and Poems: A SelectionLandor, Walter Savage
General
Imaginary Conversations and Poems: A Selection
Landor, Walter Savage
Imaginary conversations; Poetry
_Epicurus._ There have been in all ages, and in all there will be,
sharp and slender heads made purposely and peculiarly for creeping
into the crevices of our nature. While we contemplate the magnificence
of the universe, and mensurate the fitness and adaptation of one part
to another, the small philosopher hangs upon a hair or creeps within a
wrinkle, and cries out shrilly from his elevation that we are blind
and superficial. He discovers a wart, he pries into a pore; and he
calls it knowledge of man. Poetry and criticism, and all the fine
arts, have generated such living things, which not only will be
co-existent with them but will (I fear) survive them. Hence history
takes alternately the form of reproval and of panegyric; and science
in its pulverized state, in its shapeless and colourless atoms,
assumes the name of metaphysics. We find no longer the rich succulence
of Herodotus, no longer the strong filament of Thucydides, but
thoughts fit only for the slave, and language for the rustic and the
robber. These writings can never reach posterity, nor serve better
authors near us; for who would receive as documents the perversions of
venality and party? Alexander we know was intemperate, and Philip both
intemperate and perfidious: we require not a volume of dissertation on
the thread of history, to demonstrate that one or other left a
tailor's bill unpaid, and the immorality of doing so; nor a supplement
to ascertain on the best authorities which of the two it was. History
should explain to us how nations rose and fell, what nurtured them in
their growth, what sustained them in their maturity; not which orator
ran swiftest through the crowd from the right hand to the left, which
assassin was too strong for manacles, or which felon too opulent for
crucifixion.
_Leontion._ It is better, I own it, that such writers should amuse our
idleness than excite our spleen.
_Ternissa._ What is spleen?
_Epicurus._ Do not ask her; she cannot tell you. The spleen, Ternissa,
is to the heart what Arimanes is to Oromazes.
_Ternissa._ I am little the wiser yet. Does he ever use such hard
words with you?
_Leontion._ He means the evil Genius and the good Genius, in the
theogony of the Persians: and would perhaps tell you, as he hath told
me, that the heart in itself is free from evil, but very capable of
receiving and too tenacious of holding it.
_Epicurus._ In our moral system, the spleen hangs about the heart and
renders it sad and sorrowful, unless we continually keep it in
exercise by kind offices, or in its proper place by serious
investigation and solitary questionings. Otherwise, it is apt to
adhere and to accumulate, until it deadens the principles of sound
action, and obscures the sight.
_Ternissa._ It must make us very ugly when we grow old.
Public-domain text, read in full here on John Shaqi.
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