Imaginary Conversations and Poems: A SelectionLandor, Walter Savage
General
Imaginary Conversations and Poems: A Selection
Landor, Walter Savage
Imaginary conversations; Poetry
_Eugenius._ How now, rogue! Why should not the churchman look
majestically and courageously? I myself have found occasion for it,
and exerted it.
_Filippo._ The world knows the prowess of your Holiness.
_Eugenius._ Not mine, not mine, Filippo! but His who gave me the sword
and the keys, and the will and the discretion to use them. I trust the
canonico did not misapply his station and power, by taking the fish at
any unreasonably low price; and that he gave his blessing to the
remainder, and to the poor fishermen and to their nets.
_Filippo._ He was angry at observing that the vessel, while he thought
it was within hail, stood out again to sea.
_Eugenius._ He ought to have borne more manfully so slight a vexation.
_Filippo._ On the contrary, he swore bitterly he would have the
master's ear between his thumb and forefinger in another half-hour,
and regretted that he had cut his nails in the morning lest they
should grate on his guitar. 'They may fish well,' cried he, 'but they
can neither sail nor row; and, when I am in the middle of that tub of
theirs, I will teach them more than they look for.' Sure enough he was
in the middle of it at the time he fixed: but it was by aid of a rope
about his arms and the end of another laid lustily on his back and
shoulders. 'Mount, lazy long-chined turnspit, as thou valuest thy
life,' cried Abdul the corsair, 'and away for Tunis.' If silence is
consent, he had it. The captain, in the Sicilian dialect, told us we
might talk freely, for he had taken his siesta. 'Whose guitars are
those?' said he. As the canonico raised his eyes to heaven and
answered nothing, I replied, 'Sir, one is mine: the other is my worthy
friend's there.' Next he asked the canonico to what market he was
taking those young slaves, pointing to the abbates. The canonico
sobbed and could not utter one word. I related the whole story; at
which he laughed. He then took up the music, and commanded my reverend
guest to sing an air peculiarly tender, invoking the compassion of a
nymph, and calling her cold as ice. Never did so many or such profound
sighs accompany it. When it ended, he sang one himself in his own
language, on a lady whose eyes were exactly like the scimitars of
Damascus, and whose eyebrows met in the middle like the cudgels of
prize-fighters. On the whole she resembled both sun and moon, with the
simple difference that she never allowed herself to be seen, lest all
the nations of the earth should go to war for her, and not a man to be
left to breathe out his soul before her. This poem had obtained the
prize at the University of Fez, had been translated into the Arabic,
the Persian, and the Turkish languages, and was the favourite lay of
the corsair. He invited me lastly to try my talent. I played the same
air on the guitar, and apologized for omitting the words, from my
utter ignorance of the Moorish. Abdul was much pleased, and took the
trouble to convince me that the poetry they conveyed, which he
Public-domain text, read in full here on John Shaqi.
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