Imaginary Conversations and Poems: A SelectionLandor, Walter Savage
General
Imaginary Conversations and Poems: A Selection
Landor, Walter Savage
Imaginary conversations; Poetry
Does Cincirillo follow thee about?
Inverting one swart foot suspensively,
And wagging his dread jaw at every chirp
Of bird above him on the olive-branch?
Frighten him then away! 'twas he who slew
Our pigeons, our white pigeons peacock-tailed,
That fear'd not you and me ... alas, nor him!
I flattened his striped sides along my knee,
And reasoned with him on his bloody mind,
Till he looked blandly, and half-closed his eyes
To ponder on my lecture in the shade.
I doubt his memory much, his heart a little,
And in some minor matters (may I say it?)
Could wish him rather sager. But from thee
God hold back wisdom yet for many years!
Whether in early season or in late
It always comes high-priced. For thy pure breast
I have no lesson; it for me has many.
Come throw it open then! What sports, what cares
(Since there are none too young for these) engage
Thy busy thoughts? Are you again at work,
Walter and you, with those sly labourers,
Geppo, Giovanni, Cecco, and Poeta,
To build more solidly your broken dam
Among the poplars, whence the nightingale
Inquisitively watch'd you all day long?
I was not of your council in the scheme,
Or might have saved you silver without end,
And sighs too without number. Art thou gone
Below the mulberry, where that cold pool
Urged to devise a warmer, and more fit
For mighty swimmers, swimming three abreast?
Or art thou panting in this summer noon
Upon the lowest step before the hall,
Drawing a slice of water-melon, long
As Cupid's bow, athwart thy wetted lips
(Like one who plays Pan's pipe) and letting drop
The sable seeds from all their separate cells,
And leaving bays profound and rocks abrupt,
Redder than coral round Calypso's cave?
_Petrarca._ There have been those anciently who would have been
pleased with such poetry, and perhaps there may be again. I am not
sorry to see the Muses by the side of childhood, and forming a part of
the family. But now tell me about the books.
_Boccaccio._ Resolving to lay aside the more valuable of those I had
collected or transcribed, and to place them under the guardianship of
richer men, I locked them up together in the higher story of my tower
at Certaldo. You remember the old tower?
Public-domain text, read in full here on John Shaqi.
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