Imaginary Conversations and Poems: A SelectionLandor, Walter Savage
General
Imaginary Conversations and Poems: A Selection
Landor, Walter Savage
Imaginary conversations; Poetry
_Petrarca._ Poets know the haunts of poets at first sight; and he who
loved Laura.... O Laura! did I say he who _loved_ thee? ... hath
whisperings where those feet would wander which have been restless
after Fiametta.
_Boccaccio._ It is true, my imagination has often conducted her
thither; but there in this chamber she appeared to me more visibly in
a dream.
'Thy prayers have been heard, O Giovanni,' said she.
I sprang to embrace her.
'Do not spill the water! Ah! you have spilt a part of it.'
I then observed in her hand a crystal vase. A few drops were sparkling
on the sides and running down the rim: a few were trickling from the
base and from the hand that held it.
'I must go down to the brook,' said she, 'and fill it again as it was
filled before.'
What a moment of agony was this to me! Could I be certain how long
might be her absence? She went: I was following: she made a sign for
me to turn back: I disobeyed her only an instant: yet my sense of
disobedience, increasing my feebleness and confusion, made me lose
sight of her. In the next moment she was again at my side, with the
cup quite full. I stood motionless: I feared my breath might shake the
water over. I looked her in the face for her commands ... and to see
it ... to see it so calm, so beneficent, so beautiful. I was
forgetting what I had prayed for, when she lowered her head, tasted of
the cup, and gave it me. I drank; and suddenly sprang forth before me
many groves and palaces and gardens, and their statues and their
avenues, and their labyrinths of alaternus and bay, and alcoves of
citron, and watchful loopholes in the retirements of impenetrable
pomegranate. Farther off, just below where the fountain slipped away
from its marble hall and guardian gods, arose, from their beds of moss
and drosera and darkest grass, the sisterhood of oleanders, fond of
tantalizing with their bosomed flowers and their moist and pouting
blossoms the little shy rivulet, and of covering its face with all the
colours of the dawn. My dream expanded and moved forward. I trod again
the dust of Posilipo, soft as the feathers in the wings of Sleep. I
emerged on Baia; I crossed her innumerable arches; I loitered in the
breezy sunshine of her mole; I trusted the faithful seclusion of her
caverns, the keepers of so many secrets; and I reposed on the buoyancy
of her tepid sea. Then Naples, and her theatres and her churches, and
grottoes and dells and forts and promontories, rushed forward in
confusion, now among soft whispers, now among sweetest sounds, and
subsided, and sank, and disappeared. Yet a memory seemed to come fresh
from every one: each had time enough for its tale, for its pleasure,
for its reflection, for its pang. As I mounted with silent steps the
narrow staircase of the old palace, how distinctly did I feel against
the palm of my hand the coldness of that smooth stone-work, and the
greater of the cramps of iron in it!
'Ah me! is this forgetting?' cried I anxiously to Fiametta.
Public-domain text, read in full here on John Shaqi.
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