"Well, then," we retorted bitterly, again like a character in fiction,
"you have lost another great opportunity: not a moral opportunity this
time, but an aesthetic opportunity. You could have got him to tell you
all about his life in prison, and perhaps his whole career leading up to
it, and you could have made something interesting of it. You might have
written a picaresque novel or a picaresque short story, anyway."
Our friend allowed, with a mortified air, "It was rather a break."
"You threw away the chance of a lifetime. Namesakes who have been in
jail don't turn up every day. In his intimate relation to you, he would
have opened up, he would have poured out his whole heart to you. Think
of the material you have lost."
We thought of it ourselves, and with mounting exasperation. When we
reflected that he would probably have put it into his paper, and when we
reflected that we could have given so much more color to our essay, we
could not endure it. "Well, good-day," we said, coldly; "we are going
down this way."
Our friend shook hands, lingeringly, absently. Then he came to himself
with a mocking laugh. "Well, perhaps he wasn't, after all, what he
said."
XVIII
A NIECE'S LITERARY ADVICE TO HER UNCLE
A Veteran Novelist, who was also an intimate friend of the Easy Chair's,
sat before his desk pensively supporting his cheek in his left hand
while his right toyed with the pen from which, for the moment at least,
fiction refused to flow. His great-niece, who seemed such a
contradiction in terms, being as little and vivid personally as she was
nominally large and stately, opened the door and advanced upon him.
"Do I disturb you, uncle?" she asked; she did not call him great-uncle,
because that, she rightly said, was ridiculous; and now, as part of the
informality, she went on without waiting for him to answer, "Because,
you know, you wanted me to tell you what I thought of your last story;
and I've just read it."
"Oh yes!" the Veteran Novelist assented brightly, hiding his struggle to
recall which story it was. "Well?"
"Well," she said, firmly but kindly, "you want me to be frank with you,
don't you?"
"By all means, my dear. It's very good of you to read my story." By this
time, he had, with the help of the rather lean volume into which his
publishers had expanded a long-short story, and which she now held
intensely clasped to her breast, really remembered.
"Not at all!" she said. She sat down very elastically in the chair on
the other side of his desk, and as she talked she accented each of her
emotions by a spring from the cushioned seat. "In the first place," she
said, with the effect of coming directly to business, "I suppose you
know yourself that it couldn't be called virile."
"No?" he returned. "What is virile?"
Public-domain text, read in full here on John Shaqi.
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