Will our contrary-minded correspondent believe that these studies, these finished pictures, which so perfectly "reflect the common life ... of the day," are full of the license, the tinkle, the German divorce of verb and subject, the twisted grammatical sequence which her soul abhors in verse? Crabbe chose for his vehicle the heroic couplet in which English poetry had jog-trotted ever since the time of Pope, as it often had before; and he made it go as like Pope's couplet as he could, with the same caesura, the same antithetical balance, the same feats of rhetoric, the same inversions, and the same closes of the sense in each couplet. The most artificial and the most natural poets were at one in their literary convention. Yet such was the freshness of Crabbe's impulse, such his divine authority to deal with material unemployed in English poetry before, that you forget all the affectations of the outward convention, or remember them only for a pleasure in the quaintness of their use for his purposes. How imperishable, anyway, is the interest of things important to the spirit, the fancy, and how largely does this interest lie in the freshness of the mind bringing itself to the things, how little in the novelty of the things! The demand for strangeness in the things themselves is the demand of the sophisticated mind: the mind which has lost its simplicity in the process of continuing unenlightened. It is this demand which betrays the mediocre mind of the Anglo-Saxon race, the sophistication of the English mind, and the obfuscation (which is sophistication at second-hand) of the American mind. The non-imaginative person is nowhere so much at home as in a voluntary exile; and this may be why it was sometime said that travel is the fool's paradise. For such a person to realize anything the terms are that he shall go abroad, either into an alien scene or into a period of the past; then he can begin to have some pleasure. He must first of all get away from himself, and he is not to be blamed for that; any one else would wish to get away from him. His exaction is not a test of merit; it is merely the clew to a psychological situation which is neither so novel nor so important as to require of our hard-worked civilization the production of an order of more inspired criticism than it has worried along with hitherto. XXV A NORMAL HERO AND HEROINE OUT OF WORK