Could Eugenio, however, advise his youthful correspondents to work so
reckless of their original conceptions as Shakespeare had probably done?
The question was serious; it put him upon his conscience, and he decided
that at the most he could not do more than urge them, with all the
earnestness of his nature, to write their _Hamlets_ from the beginning
forward, and never from the ending backward, even in their own minds. He
saw that if he were to answer them collectively (and he certainly did
not intend to answer them severally) he must say that their only hope of
producing an effective whole was through indefatigable work upon every
part. Make each smallest detail beautiful, and despise none because it
seemed to perform a poor and lowly office in the assemblage of the
parts. Let these youths be sure that they could not know the meaning of
any design from imagining it, but only from expressing it, and that the
true result could come only from the process. They could not hope to
outdo Shakespeare and foreknow their respective _Hamlets_; they must
slowly make their _Hamlets_' acquaintance by living with them.
If Eugenio's correspondents were dashed by this hard saying, he thought
he might raise their spirits by adding that they would find compensation
for their slow, arduous toil in particulars from a fact which he had
noted in his own case. A thing well done looks always very much better
in the retrospect than could have been hoped. A good piece of work would
smile radiantly upon them when it was accomplished. Besides, after a
certain experience in doing, they would learn that the greatest
happiness which could come to them from their work would be through the
perfecting of details. This would make their performance a succession of
little victories which alone could constitute the great ultimate
triumph.
"But style, but style!" they might return. "What about style? That was
one of the miracles we asked you the sleight of, and are you going to
say nothing about that? Or did you mean style, in your talk about
perfecting details? Do you want us to take infinite pains in acquiring a
style?"
Public-domain text, read in full here on John Shaqi.
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