He was, indeed, tolerably safe from the chance, for it is one of the
conditions of literary criticism that the reviewers shall be nearly
always young persons. They, if they alone are capable of the cruelties
they sometimes practise, are alone capable of the enthusiasms which
supply publishers with quotable passages for their advertisements, and
which lift authors' hearts in pride and joy. It is to their advantage
that they generally bring to the present work of a veteran author an
ignorance of all that he has done before, and have the zest for it which
the performance of a novice inspires. They know he is not a novice, of
course, and they recognize his book as that of a veteran, but they
necessarily treat it as representative of his authorship. Of course, if
it is his twentieth or thirtieth book, or his fortieth or fiftieth, it
is merely one of a long series which fully represents him. Even these
collectively represent him inadequately as long as he is adding to them,
if he has the habit, like Eugenio, of always breaking new ground. The
reviewer, however, is probably much newer than the ground which the
established author breaks in his last book, and, coming to it in his
generous ignorance, which he has to conceal under a mask of smiling
omniscience, he condemns or praises it without reference to the work
which has gone before it and which it is merely part of, though of
course it has entirety enough of a sort to stand alone. If the author
has broken ground in the direction of a new type of heroine, the
reviewer, by the conditions of his calling, is all but obliged to say
that here is one of those enchanting girls whom the author in question
has endeared to generations of readers; or one of those tedious prudes
for whom his name is a synonyme. If, after many psychological romances,
the author has stepped down to the level of actual life, he is praised
or blamed for the vital or servile naturalism of his work; or if the
contrary is the case, he has to read of himself as doing something
habitual and entirely characteristic of him. In vain, so far as that
acute young critic is concerned, has he broken new ground. But if he has
with much compunction consciously turned his furrows in a field tilled
before, he stands a fair chance of being hailed at the outset of a new
career.
Public-domain text, read in full here on John Shaqi.
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