Eugenio himself, on his lower level, had something of the same
experience. When he first began those inventions in prose which long
seemed to him worthy of the best that his kindest friends said of them,
he had great trouble in contriving facts sufficiently wonderful for the
characters who were to deal with them, and characters high and noble
enough to deal with the great and exalted facts. On one hand or the
other his scheme was always giving out. The mirage of fancy which
painted itself so alluringly before him faded on his advance and left
him planted heavy-footed in the desert sands. In other words, he was
always getting out of a subject. In the intervals between his last
fiction and his next, when his friends supposed he was purposely letting
his mind lie fallow (and perhaps willingly acquiesced in the rest they
were sharing with him), he was really in an anguish of inquiry for
something on which to employ his powers; he was in a state of
excruciating activity of which the incessant agitation of the atoms in
the physical world is but a faint image; his repose was the mask of
violent vibrations, of volcanic emotions, which required months to clear
themselves in the realization of some ideal altogether disproportioned
to the expenditure of energy which had been tacitly taking place. At
these periods it seemed to him that his lot had been cast in a world
where he was himself about the only interesting fact, and from which
every attractive subject had been removed before he came into it.
He could never tell just how or when all this changed, and a little ray,
very faint and thin at first, stole in upon his darkness and broadened
to an effulgence which showed his narrow circle a boundless universe
thronged with the most available passions, interests, motives,
situations, catastrophes and denouements, and characters eagerly fitting
themselves with the most appropriate circumstances. As nearly as he
could make out, his liberation to this delightful cosmos took place
through his gradual perception that human nature was of a vast equality
in the important things, and had its difference only in trifles. He had
but to take other men in the same liberal spirit that he took himself to
find them all heroes; he had but to take women at their own estimate to
find them all heroines, if not divinely beautiful, then interesting,
fascinating, irresistibly better than beautiful. The situation was
something like this; it will not do to give away his whole secret; but
the reader needs only a hint in order to understand how in his new mind
Eugenio was overwhelmed with subjects.
Public-domain text, read in full here on John Shaqi.
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