After all the exclusions are made, dinner is still a theme so large that one poor Easy Chair paper could not compass it, or do more than attach itself here and there to its expanse. In fact, it was only one kind of dinner we had in mind at the beginning, and that was the larger or smaller public dinner. There the process of exclusion is carried yet a step further, and the guests are all men, and for the most part elderly men. The exceptional public dinners where women are asked need not be counted; and at other public dinners they do not seem eager to throng the galleries, where they are handsomely privileged to sit, looking down, among the sculptured and frescoed arabesques, on the sea of bald heads and shirt-fronts that surge about the tables below, and showing like dim, decollete angels to the bleared vision raised to them from the floor. As they are not expected to appear till the smoking and speaking have begun, they grow fainter and fainter through the clouds of tobacco and oratory, and it is never known to the diners whether they abuse the chary hospitality of coffee and ices offered them in their skyey height, where from time to time the sympathetic ear may hear them softly gasping, gently coughing. It is a pity that none of these witnesses of a large public dinner has recorded her bird's-eye impression of it at the interesting moment when their presence is suffered or desired. All those gray or bald heads, and all those bulging shirt-fronts, must look alike at the first glance, and it can be only to carefuler scrutiny that certain distinctions of projecting whiskers and mustaches pronounce themselves. The various figures, lax or stiff in their repletion, must more or less repeat one another, and the pudgy hands, resting heavily on the tables' edges or planted on their owners' thighs, must seem of a very characterless monotony. The poor old fellows ranked in serried sameness at the tables slanted or curved from the dais where the chairman and the speakers sit must have one effect of wishing themselves at home in bed. What do they really think of it, those angels, leaning over and looking down on it? Does it strike them with envy, with admiration? Does it seem one of the last effects of a high and noble civilization? To their "finer female sense," what is the appeal of that evanescing spectacle, as the noise of the cheering and the laughing and the clapping of hands rises to them at some more rocket-like explosion of oratory? Is the oratory mainly of the same quality to those supernal intelligences as the fading spectacle? None of them has said, and we may have still the hope that the whole affair may have seemed to them the splendid and graceful ceremonial which it appears in the illustrations of the next day's papers.